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I think it's a nice concept, though I'd say that it works better as a test shot rather than a production shot (if that really makes any sense). I guess I could say I'd take shots like these until I knew I could do things consistently, and then set up *the* shot.
So you're working on capturing drops, and it looks like you're making some good progress. The glass would be better off up-right in stead of sideways. It looks like you tested a number of drops before capturing this one. Using a glass with dry walls would look a lot better. The background is a bit odd, perhaps a bit distracting. To really display the drop, you need something very uniform, if possible. And a much shallower depth of field will do wonders. Your angle is a bit high, I think. It needs to be shot straight from the side of the glass. You need a bit more lighting around the glass; it seems really flat as it is. But again, to really help show the drop in the glass, some (semi-) back lighting would probably help. Of course, I haven't yet played much with lighting so I'm no authority. edit: and for the final product, real wine would work beautifully. Its viscosity and light properties are so much better than (colored) water. Last edited by Eastree; 09-20-2009 at 02:37 PM. |
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I've shot drops before, and it takes alot of patience.. I'll post it in another thread.
I learned that lighting is a big thing for creating the mood, just like a portrait. If you're mainly trying to capture the drop, try using a large bowl and shoot downward at an angle. If you're wanting to keep the glass as part of the image, again try different angles and pay attention to your background. I would keep it all black, or in it's natural environment, maybe on a table with some place settings & silverware out of focus of course. Keep working on it, definately worth it when you get that one shot! |
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