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Id say its too cluttered with cars. just get the shot of the one you intended first. and use a tripod with a longer exposure.
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please add me on facebook even if you don't like my photos. much appreciated! Colby Jack Photography on facebook :: Nikon D7000 :: Nikkor 18-20mm f/3.5-f/5.6 :: Nikkor 50mm f/1.4 ai :: |
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Any other tips for the actual shooting of the picture? Like, what settings should I try next time? Super long exposure vs shorter? Different camera settings? Im pretty new to this, so anything is helpful. |
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For future forum reference, there is a critique section for these kinds of threads. You'd probably want to read the rules and post future threads like this in one of those sections. For this type of shot, I'd say "Other"
Let's look at how you shot this. Quote:
The matrix metering has picked up on the brighter concrete as well as the dark sky and the dark vehicles and attempted to balance all of that. You might do better with spot metering off the darker vehicle to get the detail in the shadows correct. It's easier to tone down some brightness in the pavement than it is to pull out detail in the shadows. Search for "expose to the right" for more information on trying to maximize the detail your digital camera records. Another thing to consider is bracketing shots and using those shots to get the highlight and shadow detail along with a "normal" exposure. Search for "exposure bracketing" or "HDR photography" for examples and tutorials. As far as lighting goes, I think the ideal situation would be to find a way to get some light between the vehicles to keep them from blending into each other so much and better define the lines. Someone like maxharvard here does it with speedlights (off-camera flashes) but you might be able to do something with some ghetto lighting (cheap work lights) or light painting (use a flashlight to "paint" light on the vehicle over a long exposure). As to the flare/glare, a UV filter could have created another internal reflection that got picked up on by the sensor. Another possible reason would be stray light from the side causing a flare on the lens. If you've got a lens hood, I'd try shooting with that, and maybe experiment with shooting with and without the UV filter to see if it's contributing to glare. Finally (and you may be thinking, "not a moment too soon") you might want to find a composition that's a bit more interesting than just standing at eye-level and shooting. Get close and low with a wide-angle lens to exaggerate scale and make the vehicles seem larger than life. If there's nothing but dead space in the foreground, compose it out and bring in more of the sky (hopefully with some cloud detail for something more interesting). Keep shooting and posting. This is a good community in which to grow. |
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Thanks alot for the tips!
Heres another one from that night. Any ideas on how to get rid of the dodge's license plate? I tried filling it, but no luck. Also, is there any way to darken only the bottom of the picture to darken the bright cement a little bit? Total newbie here lol I really appreciate all the help! |
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