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Hello and welcome!
To get the most out of the critique section we have posted at the top of each page, the rules/guidelines. They contain everything you need to know on what should be included in your posts. Please take a moment to read them and then edit your post with missing info. Thanks!!!
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Olympus user, Fuji E900, a canon & last but not least a Minolta 35mm and some really old large format box cameras.Not to mention a whole bunch of other stuff. Paint Shop Pro X3, CS3,CS5, Portrait Professional, Topaz Adjust, Lucis Art and the list goes on........ www.alockintime.com |
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Subject:
It looks like your glass has a few flecks of dust and a finger print or two. Normally these wouldn't be noticed, but in a very simple still life, any flaw is magnified. Similarly, there are missing grapes in the bunch of grapes you chose. This could work if there were a few loose grapes on the table in front of the bunch, but here it doesn't look intentional. Composition: I think the low angle works moderately well here, but an even lower angle might work better. The stem of the glass is long enough to make the separation between grapes and wine uncomfortably long. If you were to shoot from lower, you could move the grapes visually closer to the bowl of the glass. I'd like to see a bit more breathing space around the edges of the frame. The glass and grapes seem very cramped right now. I think you might also benefit from a slightly richer background, but I could easily be wrong about that. The bright white diagonal watermark you used draws quite a lot of my attention away from the subject. If you need a watermark, I'd recommend that you make it parallel one of the edges of the frame and reduce the brightness significantly. Lighting: It looks like you're using a softbox low camera left and a strip light for fill on the right. I say this because I can see your lights in the specular reflections on the glass. For highly specular subjects, controlling specular reflections is much of the game. For a curved-surface subject, this is especially difficult, because each side will reflect most of the arc on its side. To work with this, you can light from higher or lower (sending the reflections into the ceiling or floor), use very large light sources (large diffusion panels are common, and use subtractive lighting in the form of black panels on either side of the reflector. The glass isn't well separated from the background. I think you need to either provide some sort of rim light or directly light the background. The wine looks black. To get it to look like wine, you need to fire light through it so that the color shows up at the camera. I'd start with a gridded strobe (to control spill and unwanted reflections) from high right or left behind the glass. The farthest left sides of the grapes are noticeably hot, probably because your softbox is so close. Raising the softbox would help to even the light, as would a diffuser panel. HTH |
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First i appreciate it so much that you gave my photo a lil of your time...
thanx alot you made me realize my mistakes but ..i think mistakes leads to perfection ,,, imma be aware next time its just its a hobby and i dont know anything about photography Technics ... |
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