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I think the biggest issue is there is too much room behind it. Perhaps crop it down some. lol I really like the arm coming out from the wood!
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Olympus user, Fuji E900, a canon & last but not least a Minolta 35mm and some really old large format box cameras.Not to mention a whole bunch of other stuff. Paint Shop Pro X3, CS3,CS5, Portrait Professional, Topaz Adjust, Lucis Art and the list goes on........ www.alockintime.com |
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Yes, very creepy. I like the extra hand coming up there. I would perhaps have got down lower and to the right so that you are shooting across the wood, might make a foreground of it. A definitely come in closer on it.
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LISA Canon EOS 1000D, 18-55mm & 75-300 mm kit lens for the flash stuff. Olympus Tough 8010, waterproof, shockproof compact P&S - great for the kids. Flickr |
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I am going to take an opposing view here. You have broken a couple of significant rules here; you have placed the subject square in the middle, and you have not filled the frame. In almost every other situation I would agree with the advice you have been given so far, but there is a mitigating element here. Sometimes the subject of an image is so striking, so arresting that it almost demands to be placed front and center. I believe this is one of those cases. I actually think the tighter crop looks worse and would go back to the original if I were you.
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Lee R http://lucentbydesign.blogspot.com// The real voyage of discovery consists not in seeking new landscapes but in having new eyes. -Marcel Proust |
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Thanks for the contrasting viewpoint, LeeR! I *do* like the context provided in the less-tight crop, showing this statue-thing surrounded by cast-off pieces of wood and weeds. While the second one is somewhat more 'classically sound', and I like it for that, I do agree that the overall impact is much different.
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