|
||||
|
I have just started to get into B&W so I took some shots at home to practice. The object is a buisiness card holder made of wood which I took on our tile floor. For me there is something interesting about this but I would like to hear from you guys, do you think it works in any way? also is it too light/too dark? any other critique welcome.
EXIF Model: Canon EOS 450D ISO: 320 Exposure: 1/60 sec Aperture: 8.0 Focal Length: 55mm Flash Used: No
__________________
Canon EOS 450D, 18-55 and 55-250 IS kit lesnes |
|
||||
|
Quote:
EXIF Model: Canon EOS 450D ISO: 800 Exposure: 1/60 sec Aperture: 8.0 Focal Length: 55mm Flash Used: No
__________________
Canon EOS 450D, 18-55 and 55-250 IS kit lesnes |
|
||||
|
appears that the hands are missing the phone for texting... or missing the psp or something to that nature... sorry just tryin to be funny there...
appears a little dark tho to me
__________________
Nikon Gear: D7000 with now making my D40 a backup There are no rules for good photographs, there are only good photographs. ~Ansel Adams |
|
||||
|
As a general rule of thumb in b&w photography, there should be something in your image that is pure white and something pure black. If you have Photoshop, you can pull up the "Levels" tool and adjust the sliders to the edges of the histogram to accomplish this. Then you can use the remaing slider to adjust the overall lightness/darkness of the image. I actually liked the overall darkness of the first image, just would have liked to have seen some real whites in there somewhere.
The other problem here is compositional. Our eyes are attracted to the area of highest contrast, which in your image is right at the fingertips where you want it. However, this area is competing with a shadow/light that runs nearly the length of the image just above the hands. Normally we don't want lines that run close to and parallel to the edge of the frame, and we never want to allow competition for the area where we want the eye to go. |
|
||||
|
It's dark but I can see it working like that intentionally. I like how in the first it almost appears as if the hands are trying to grasp the brightest spot behind them on the floor. I agree that the door jam (?) across the background really disrupts this... maybe at another angle you could eliminate that?
__________________
k8et on flickr blogging at www.k8et.com Canon Rebel XTi, kit lens, 50mm 1.8 lens, 430EX II flash Lomography film cameras: Fisheye and Colorsplash |
|
||||
|
Quote:
I'm also not sure about the tile. The grout is a bit distracting, and makes it obvious that you're shooting it on a tile floor. Something more abstract (a pattern, a texture, or maybe totally blank?) would improve this, I think.
|
![]() |
| Bookmarks |
| Thread Tools | |
| Display Modes | |
|
|
Each day we send out a quick email to thousands of DPS readers to notify them of updates. This email is just short excerpt of the first few lines of our latest post with a link if you want to read it all. You can unsubscribe from this this service at any time.
This service is provided by a third party (Feedburner) and you can subscribe to it by leaving your email address in the following field and confirming your subscription when you get an email asking you to do so.
Enter your email address for
Daily Updates:
For those wanting a weekly summary of what happens on this site this free email newsletter is probably your best option. It includes a summary of the tips posted to the site each week. This newsletter is subscribed to by over 25000 readers (many who also subscribe to the other options above) - come join the community!
To subscribe to this weekly newsletter simply add your email address to the following field and then follow the confirmation prompts. You will be able to unsubscribe at any time.
Enter your email address for
Free Weekly Newsletter: