|
|||
|
I've recently tried to get back into photography and have started by taking photographs of my teenage sons playing sports, basketball and lacrosse. I've also tried a few night time football games. I am shooting with the following;
Nikon D80 Nikkor AFS VR f/2.8 70-200mm zoom SB-800 Speedlight ISO 800-1000 Exposure 1/200-1/400. I have shot both JPEG and Camera RAW. I run my photos through Lightroom and also have Photoshop but am a very novice user. The question I have is what should I have my camera set on? Any special techniques? Whats the best way to improve my photos in post processing? I greatly appreciate any help and insight. Bob BlazersFootball-20091002-55.jpg Horizon-DesertRidge-20090127-69.jpg
__________________
Nikon D300s, Nikon D80, AF-S VR Zoom-Nikkor 70-200mm f/2.8G IF-ED, AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR, Nikkor 18-55mm, Nikon AF-S TC-14EII, Nikon SB-800 AFSpeedlight, Adobe Lightroom and Photoshop. http://abpane.smugmug.com/ |
|
||||
|
2 things strike me: the focus in these seems off. It could very well be because the action is so fast, but the focus is off. The other thing is that the images are still underexposed and still have motion blur.
Doing night sports and indoor sports is quite possibly the hardest thing to do, especially with an older crop-sensor (DX) camera body. It's possible, just very hard.
__________________
I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
|
|||
|
With your equipment, the aperture should be set to the lowest possible setting (f/2.8) and the ISO should be set as high as possible (1600 or Hi1-3200). Then, set the shutter to as high as you can while still maintaining proper exposure. Typically, football and basketball need 1/500 if not 1/1000 for higher levels, like HS that you're shooting. You have the equipment to do these types of photos. Your only challenge will be getting the ISO high enough on the D80 body.
Take a look at this article for more information: Photography Technique: How to photograph sports
__________________
Drkranger Kaymee Photography Sacramento Photography Examiner Nikon D300, Nikon D50 Sigma 50-150mm f/2.8, Nikkor 50mm f/1.8 |
|
||||
|
Quote:
__________________
I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
|
|||
|
A few things come to mind.
First, you need a shutter speed of 1/1000th of a second or faster to really freeze action. Second, the less light you have the more you will need to use wider apertures. Third, the less light you have the more you will need to bump up your ISO. Fourth, VR can introduce blur or slow down focus at shutter speeds faster than 1/500th of a second. Many pro sports photographers I've read on line suggest turning VR off when shooting fast action to avoid this issue. Fifth, flash will only help you when the action is very close and their is little ambient light to affect your exposure. The more ambient light you allow in via your exposure settings, the more blur you will get in the shot. Also realize that a shoe mounted flash is not going to have the power to reach across a football field.
__________________
Craig My zenfolio gallery My Photoblog Gear: Nikon D300s, D80 and a lot of stuff for them. |
|
||||
|
I remember thinking at one point that I had an issue with my 70-300 VR but it turned out to just be the way the VR system works with the AF.
__________________
I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
|
|||
|
Yeah, under certain conditions VR can be a liability. Those conditions seem to be when using fast shutter speeds. When you think about everything that has to happen when you press the shutter release, i.e. registering and locking exposure, focusing on subject, following subject if it moves, white balance, etc., it is a miracle that we can capture anything at all. Throw that each of those steps I mentioned have several substeps, and it is even more mind boggling that today's cameras can get out of the photographer's way. For instance when focusing, the camera and lens are communicating distance information and other parameters until the subject is in focus. It is a very small bandwidth of data that is used. Add in the effect of VR and more things can start to go wrong. Everything has to happen in a certain sequence. At the faster shutter speeds the VR system can actually interfere with the rest of the focusing system causing loss of subject tracking and blurring images. At least that is my understanding of it from reading various technical articles around the net.
Unfortunately, I didn't stay at a Holiday Inn Express last night ...
__________________
Craig My zenfolio gallery My Photoblog Gear: Nikon D300s, D80 and a lot of stuff for them. |
|
|||
|
Thanks for your input. I'm beginning to wonder if I've reached a limitation of the D80. I have tried a higher ISO and the noise is too great. As a result I have to shoot at slower shutter speeds like 1/200 - 1/400, with the lense wide open. Also when increasing my exposure in Lightroom the image quality will also begin to break down so I usually end up being a stop or two low. Unfortunately I'm trying to shoot action photography in the two worst places, a poorly lit football field and an equally poor gymnasium. I will try shutting down the VR to see if that helps, good suggestion, thanks!
I'm wondering if the D90 or D300s would be a good upgrade. They both use a CMOS sensor instead of the CCD on the D80. Have any of you shot low light action photography with a D90 or D300s?? Thanks again!
__________________
Nikon D300s, Nikon D80, AF-S VR Zoom-Nikkor 70-200mm f/2.8G IF-ED, AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR, Nikkor 18-55mm, Nikon AF-S TC-14EII, Nikon SB-800 AFSpeedlight, Adobe Lightroom and Photoshop. http://abpane.smugmug.com/ |
|
|||
|
You're right, I haven't, which is why it was a suggestion.
__________________
Drkranger Kaymee Photography Sacramento Photography Examiner Nikon D300, Nikon D50 Sigma 50-150mm f/2.8, Nikkor 50mm f/1.8 |
|
||||
|
Quote:
Even better is getting the new D300s because of the improvements to the EXPEED image processor, dual card slots (backup) and video too. If you can justify the additional expense the ISO capabilities of the D700 surpasss the D90/D300/D300s, but since it's a full size sensor you would loose the 1.5x crop factor of a D300/D300sand would have to crop images made with your 70-200 f/2.8 even more than you do now. The 70-200 f/2.8 is really to short for field sports, but many balk at the price jump to get to a 400mm f/2.8 ($9000+).
__________________
Keith Harrod | Image Works Adobe Bogen Dell Giottos hdrSoft Imagenomic Lexar Nikon Sekonic Sigma Topaz Labs Vivitar Vagabond Wacom Westcott Western Digital |
![]() |
| Bookmarks |
| Thread Tools | |
| Display Modes | |
|
|
Each day we send out a quick email to thousands of DPS readers to notify them of updates. This email is just short excerpt of the first few lines of our latest post with a link if you want to read it all. You can unsubscribe from this this service at any time.
This service is provided by a third party (Feedburner) and you can subscribe to it by leaving your email address in the following field and confirming your subscription when you get an email asking you to do so.
Enter your email address for
Daily Updates:
For those wanting a weekly summary of what happens on this site this free email newsletter is probably your best option. It includes a summary of the tips posted to the site each week. This newsletter is subscribed to by over 25000 readers (many who also subscribe to the other options above) - come join the community!
To subscribe to this weekly newsletter simply add your email address to the following field and then follow the confirmation prompts. You will be able to unsubscribe at any time.
Enter your email address for
Free Weekly Newsletter: