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I have both the 40 macro and the 50 (though 1.8D). I find the 40 to be an excellent general purpose lens, but it's not quite the same as the 50: believe it or not, the difference of 10mm is substantial.
If you're looking seriously into portraits, I'd suggest opting for the 85/1.8 instead of the 50: its just a touch short. having the 40 and 85 would also give you a bit more variety. It is, unfortunately, substantially more expensive. The 40 will run you about $300, where as the 85 will run about $450. The 50/1.8G is only abut $225. If you can only afford one, get the 50. If you can afford both, get the 40 and 85.
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As prime lenses they're both pretty specialized. In your case, the 50 is best suited to night shooting and the 40 is to macro. While both can be used pretty general purposely, I think if you're really looking for versatility, you should look at something like a 17-55 2.8 zoom, It's going to give you alot of framing versatility and at a good compromise speed, but added weight (if the 40mm is on your list, 2.8 is ok, or you're looking at macro capability.
Of course - one of your goals is to learn via the tool of a prime, ie, framing, forcing yourself to move around (so you learn about perspective) and usually ability to control depth of field with the wider aperture. You don't "need" a prime to do those things, you can actually do quite a bit of that with a cut out card board square, like an old 35mm slide without film in it. The depth of field control, a fast aperture is helpful for, at some point, you may realize that choosing where to shoot from should come separately from choosing the framing. Primes limit your options, and you can indeed learn a lot from working with that constraint. I myself use primes, but I have a bunch, so that I can choose the focal length I want - often times a zoom would be far more practical - but I don't mind changing lenses. If you're looking for small size and cost, a prime is a good way to go. Of those two (40mm macro and 50mm 1.8) Which is more versatile, is a tough question. The macro is more versatile in an overall subject kinda way, it'll do everything from landscape to macro - but it's optimized for macro of still life, insects and lighting get tough due to lens to subject distance, but such images are possible. While the 50mm is more versatile in a light kinda way - it's almost 2 stops faster. (1.4 would be 2 stops). If you're doing lots of available light and shooting way into the evening and not using a tripod or flash - the 50 is a better choice for you. So simple questions you need to answer, 1.Which focal length do you like better? 2. Do you want to focus on light versatility or "subject" versatility? One final note - if you're willing to sacrifice some image quality in your macro (sharpness, distortion, chromatic abberation etc) , you can invest in extension tubes, close-up filter attachments or a lens reversing ring, and use them with your 50mm lens to get into the macro world. Each of those three options are inexpensive and can be found in the 10-100 dollar range, depending on where you look, used or new, major brand or not) |
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Between the two, I find myself reaching for the 40 more often. Its just that much wider that it gives me a bit more versatility in framing. That being said, I've basically relegated the 50 to film use and am aiming for an 85... but I'll wait for an updated AF-S/1.8/G version.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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Sigma and Tamron versions are between half and three quarters that price yeah? Going used and you start to get into that 400 dollar range. Viable options maybe, compared to the 85mm.
Last edited by ravncat; 12-08-2011 at 02:43 AM. |
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Prime and "do-it-all"? Doesn't exist. A 35mm would be considered "normal" on DX. The 40 is closer to that....
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