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Hi ,
I don't know if you give advise, but I would be pleased if I could get some technical help. I have a Nikon D90 - which does not have a full frame lens. The main use for the camera is to shoot house interiors. (Note: I use Photoshop to correct the distortion). I regret buying the D90 but am trying to find if I can use it using a very wide angle lens rather than wasting all my money and starting all over with a full frame camera. How successful is using an Af-S Nikkor 14-24mm f/2.8 lens on the D90 to give the effect of a 28mm wide angle on a full frame camera? Are the images distorted? Are there other problems I will encounter? Would you recommend it? Does the 14mm have other issues? Is vignetting a serious problem? Would I be better getting a D700 with a PC-E Nikkor 24mm f/3.5 for this sort of work? Does anyone have experience comparing images from these 2 camera/lens combinations ? I've read a review saying that the 14-28mm f/2.8 G AF-S D-IF N @/ f/5.6 is much a much better lens for less vignetting and flaring. Is this so? I have a read another review which says the AF-S lens is good on on the D90. Can you recommend if one is better on the D90 than the G AF S D IF N? Thank you in the hope for some advise, Di |
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The 14-24 is epic (especially on full frame), the distortion is pretty low for that type of lens, and the image quality is better than most primes (maybe not the 24/1.4). I've shot it wide open on my D700 without major vignetting, so I wouldn't worry too much on that front.
Samples: ![]() ![]() The 24 PC-E is more of a specialized lens. It has knobs for tilting and shifting the front element, which can correct for perspective distortion, among other things. You kind of have to know how to use it though.
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JamieDePould.com + OneYearPhoto.com Nikon D300, D700, Sony NEX5n Zeiss 2/25; 1.4/50; 1.4/85 Please read the rules before posting a critique thread. Rules here. |
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Oh boy. Let's go at this one at a time.
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Like a fisheye? No. There's still going to be perspective distortion (keystoning) and there's a bit of barrel at the wide end, but it's otherwise very good Quote:
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As for using it on the D90, it really depends. Nikon make 2 excellent ultrawide lenses for the cropped-sensor cameras: the 12-24 and 10-24, which will give you 18-36 and 15-36 equivalent focal ranges. That being said, neither is a PC lens. PC lenses are totally different animals and require a LOT of technique, a LOT of learning and a LOT of patience. You would have to spend a lot of time learning to use it to get even close to the right images. Frankly, I think you're in over your head as it is. You're comparing a $2200 lens to another $1700 lens, but neither has anything in common with the other besides focal length. They fulfill very different roles and that doesn't seem to be obvious. If you're looking for an ultra-wide lens for your D90, then I can easily reccommend the Nikon 10-24 f/3.5-4.5, as I have one.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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Hush you.
My point stands.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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