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I have not. I have seen it done and read about it from the like of Neil Van Niekerk and Mellissa Gill had a very nice series of post on specifically this. For the most part it appears both of these photographers used it primarily as accent lighting and not main.
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I have played with it once, but I was not happy with the results. I found the images obviously became hotter as you moved towards the lights (I had set up 2 diagonally across the room bouncing off a white ceiling) and made for constant adjustment of aperture as you worked the room. I gave up quickly and went back to what I was comfortable with as I did not want to miss a crucial image while I was "playing"
The nice thing was I could shoot at ISO200 in a dark room. This does give less noise, but is a PITA as you work. It also really lights the room and I felt it could distract the guests, especially during speeches etc. Even on an older body like mine, ISO800 is acceptable and with a single on camera bounced SB900, you can light the room quite well. It also preserved the ambient and the feeling of the evening better. I tried a couple strobes in this venue, as the ceilings are probably 30 feet and the walls were yellow. I was worried about the effectiveness of bounce. This image is lit with a single on camera flash and I think better portrays the room and the evening. ![]() I shot this at ISO800 f/5 & 1/30th bounce flash on TTL I really don't see much of a reason to go off camera in most venues I have been in.
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Scott Last edited by scootermcq; 10-24-2011 at 10:23 AM. |
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Alright, so I went by the location yesterday and the roof is ~14ft, BLACK, exposed structure (also black).
Attached are some shots: First is no flash, 70mm, 2.8, 1/40,ISO 2500, Nikon D90 Second shot is me trying to bounce 24mm, 2.8, 1/40,ISO 2500, Nikon D90 with this guy http://www.kenrockwell.com/nikon/ima...00/sz-3-tn.jpg Third is me trying to bounce 24mm, 2.8, 1/40,ISO 2500, Nikon D90 with this guy http://www.kenrockwell.com/nikon/ima...700/sw-14h.jpg |
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Didn't look to see what you used in number three, but I would say you still need a bunch more light.
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Nikon D700, D300, D5000, NIKON GLASS 85mm F/1.8 D, 105mm f/2.8 Micro AF-S VR, 70-200 AF-S VR f/2.8, 28-300 AF-S VRII,10.5mm Fisheye, 24-70 AF-S f/2.8, TC-20E II AF-S, Sigma 12-24 HSM, Sigma 30mm f/1.4 HSM, Sigma 150-500 OS, 2 SB-600 Speedlights, Manfrotto 190MF3 tripod & 322RC2 ball grip head. - NJ, USA Flickr Photobucket Ok to edit and repost my shots on DPS forums |
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I should also say the ceremony and reception are at this location.
I checked and it looked like all the available lights were on (ie not more that can be turned on) Maybe the lights were dimmed down? Not sure how I feel about strobing at a ceremony but not sure I'll have a choice if this is the best the lighting gets in the room? Last edited by superduperwesman; 10-27-2011 at 02:49 PM. |
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I would suggest all bets are off.... go with a bounce card.... this has served me well in those sorts of situations and is $5 to make DIY Reflector-Diffuser
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Scott |
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Yeah I just bumped to 2500 to show the situation. Ideally I'd like to stick to 800 as a max. |
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