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I have a wedding to shoot in the end of May 2012. Its already getting ridiculous. For one thing it is Alaska in the end of may, the sun is up for about 21 hours out of the day. Another problem I'm running into is they are having an outdoor wedding around Noon time. The scenery is magnificent, a lake with mountains nearby. However I am trying to figure out how I'm going to photograph the ceremony with the sun directly overhead.
If any of you have magically come up with a way to work in these conditions, please advise. I have also already mentioned to the client the difficult with the lighting situation and suggested an early morning wedding instead, but so far no budging. Thanks, CJ
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please add me on facebook even if you don't like my photos. much appreciated! Colby Jack Photography on facebook :: Nikon D7000 :: Nikkor 18-20mm f/3.5-f/5.6 :: Nikkor 50mm f/1.4 ai :: |
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Yip I would be working on my fill flash try and get some light into the shadows.
Although there will be a lot of light bouncing of the snow so it might not be that bad. Look for shaded areas use them as much as you can. All the best
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The good news about Alaska is that even in mid-day, the sun doesn't rise all that far above the horizon. AFAICT, in mid-May in Anchorage, the sun is around 33 degrees above the horizon at noon. (The elevation of the sun will vary with latitude if the wedding is someplace else.)
It's not ideal, but it's really not "directly overhead".
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If you know the address or the GPS coordinates of the wedding site, you might try using the Photographer's Ephemeris (download the free desktop version) to determine the actual direction of the sun and relation to the horizon during the hours the wedding will take place. It's great because you can go out to any calendar day and any hour within that day and get all the info you will need.
http://photoephemeris.com/
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Web Site: GreggObst.com Flickr: http://www.flickr.com/photos/greggobst/ Photo generalist, eternal student of light. Devout follower of Saints McNally, Hobby, Arias and Kelby. |
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Quote:
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I live in Fairbanks, but the wedding is in Quote:
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please add me on facebook even if you don't like my photos. much appreciated! Colby Jack Photography on facebook :: Nikon D7000 :: Nikkor 18-20mm f/3.5-f/5.6 :: Nikkor 50mm f/1.4 ai :: |
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I'm a total noob, but I'd try fill flash and a pretty fast shutter speed to balance out the ambient light.
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http://500px.com/neiby http://www.flickr.com/photos/28712832@N03/ Canon EOS 60D / Canon EF-S 18-200mm f/3.5-5.6 IS / Canon EF 50mm F/1.8 II |
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At a wedding I really don't want to be flashing everyone with a bright light every time I take a photo. may use it once in a while, but for indoor low light I use a video light, and i'll use a low powered flash setting to stop motion while dragging the shutter for any fast moving action. Having the subjects back lit with soft natural light is the style I am going for. Thanks for the idea though. I'm sure it would help in situations where you aren't back lighting your subject.
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please add me on facebook even if you don't like my photos. much appreciated! Colby Jack Photography on facebook :: Nikon D7000 :: Nikkor 18-20mm f/3.5-f/5.6 :: Nikkor 50mm f/1.4 ai :: |
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That makes sense! The flash would be obtrusive during the ceremony even if you lowered the power, and if you lowered the power too far, it wouldn't be that useful as a fill. I'm a noob and I've never tried to shoot in those conditions. Good luck!
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http://500px.com/neiby http://www.flickr.com/photos/28712832@N03/ Canon EOS 60D / Canon EF-S 18-200mm f/3.5-5.6 IS / Canon EF 50mm F/1.8 II |
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These guys have the pro solution. If you can't afford to buy, try to rent. You'll need a friend/assistant to handle the equipment.
This product is called the sun swatter And this item is called a micro mini bounce Here is a link to tutorials on using their products www.sunbounce.com: AWESOME SUNBOUNCERS VIDEOS Their stuff can be found in all pro shops.
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Canon 60D, G12, Leica V-LUX 20, Canon 10-22mm EF-S f/3.5-4.5, 18-135mm EF-S f/3.5-5.6 IS, 100mm EF f/2.8 Macro, 15-85mm EF-S f3.5-5.6 IS, 50mm EF f1.4, 70-200mm EF f2.8L IS II, Kenko tubes, Satechi WR-C100 Wireless Remote, B+W Filters, Gitzo monopod, Sunpak 623px tripod, Sunbounce mini micro reflector, Colormunki Photo, DPP, PSD, Pixma Pro9000 Mark II, MAC, WIN. |
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