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* you can do it in camera or in post...but the cool effect of balancing flash to one temp and the scene to another temp is pretty much done at the time of the exposure * Probably not a guideline...but the "typical" color shifts one saw using film would be mismatches between 3200, 3400 & 5500 degrees kelvin. Here is a color temp chart. Ignore the right margin arrows as this chart came from a different discussion...
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By gelling the flash... For example, you gel the flash with a CTO filter and set the camera white balance to 3200 degrees kelvin (or the incandescent setting). Anything in an ambient daylight scene lit by the flash will appear with the correct white balance, the background and objects outside of the flash coverage will have a color shift towards blue. or you can do other variations where 2 of the 3 (camera WB, flash, ambient) are balanced and the 3rd is not...
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Gels. Clear coloured plastic attachments you put on the flash to balance the light from the flash to ambient.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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