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With the sophisticated meters in most cameras, i would say if anybody is using a gray card nowdays it is for white balance... |
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Rather than adjusting my WB in post, I fill the frame with the grey card and take a shot of it, then set CWB in-camera. If my lighting changes, I have to do this again (and keep doing it if the light continually changes, as it does in an outdoor shoot most of the time). For studio I just have to do it once and I'm good to go.
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Is using a gray card and a white card of equal value in setting a custom white balance or is one better than the other?
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Chris J D300, 18-55 1:3.5-5.6 VR, 55-200 1:4-5.6 VR, AF 300 f/4 ED-IF Minolta X-700, numerous lenses and flashes My hairs NOT gray!! It's antique blonde. |
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Thanks Zona.
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Chris J D300, 18-55 1:3.5-5.6 VR, 55-200 1:4-5.6 VR, AF 300 f/4 ED-IF Minolta X-700, numerous lenses and flashes My hairs NOT gray!! It's antique blonde. |
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Depends on the camera. Most cameras today do better with a gray card (my understanding anyway). Some older models do better with a white card.
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I use my grey card to set a custom white balance for a given situation, so it's one thing I don't have to tweak in post. If I have to move quickly to a different setting to take some shots, and don't have time to set a new custom white balance first, I do a shot of the grey card at the end, and then use that to set a new white balance and apply that as a batch process afterwards.
I prefer to set the custom white balance first, but it's not always possible.
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I shoot Canon, and use Elinchrom lights. My Flickr Page - feel free to leave comments |
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I use a white card for custom white balance. When I had a grey card I used it to get an exposure reading from. Now that I can't find my grey card, I use a grocery bag from my local grocery store. It will usually under expose the shot by 1/2 stop. But it is very reliable and easy to compensate. Even if it does seem a little odd to some people.
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