|
||||
|
Studio strobes are generally measured in W/S, onboard and hotshoe flashes are usually measured in GN.
__________________
I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
|
||||
|
I'm looking at beginner studio strobes to try and learn that aspect of photography. On this forum it was explained to me that you needed to use the GN to help in determining the aperture for using studio lighting so I started looking at the GN on various beginner strobe kits and have seen that even though the w/s were the same the GN was different. I was just wondering why.
__________________
Chris J D300, 18-55 1:3.5-5.6 VR, 55-200 1:4-5.6 VR, AF 300 f/4 ED-IF Minolta X-700, numerous lenses and flashes My hairs NOT gray!! It's antique blonde. |
|
||||
|
W/S (watts per second) is the amount of power used, GN is the amount of light being provided.
__________________
I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
|
|||
|
Once you place any kind of a light modifier in front of any light source you immediately alter the amount of light reaching the subject, and the amount of light reaching the subject is what is important, not the original amount of light put out by the oroginal source. Of course the higher the W/S or G/N the more light will be pumped through the modifier and onto the subject.
Benji |
|
||||
|
The w/s is a measure of stored energy. How much of that energy is converted into light is where some flashes differ. That is why many look to the guide number because it is a measure of light output...in photographic terms. A guide number is measured at a stated iso @ 10 feet. For example a GN of 110 at iso 100 means at full output your fstop will be f11 at 10 feet
(110/10). From there you can think about light modifiers and say a soft box will eat 2 stops of light then you know your max aperture for the exposure will be f5.6 You can't determine that kind of information from w/s. Last edited by zona5101; 04-21-2010 at 03:49 AM. |
|
||||
|
Thanks all for your answers. Zona, I understood about the GN at 10' and the aperture. But you answered my question in that it how each brand converts that energy into light that causes the difference.
Thanks again all.
__________________
Chris J D300, 18-55 1:3.5-5.6 VR, 55-200 1:4-5.6 VR, AF 300 f/4 ED-IF Minolta X-700, numerous lenses and flashes My hairs NOT gray!! It's antique blonde. |
![]() |
| Bookmarks |
| Thread Tools | |
| Display Modes | |
|
|
Each day we send out a quick email to thousands of DPS readers to notify them of updates. This email is just short excerpt of the first few lines of our latest post with a link if you want to read it all. You can unsubscribe from this this service at any time.
This service is provided by a third party (Feedburner) and you can subscribe to it by leaving your email address in the following field and confirming your subscription when you get an email asking you to do so.
Enter your email address for
Daily Updates:
For those wanting a weekly summary of what happens on this site this free email newsletter is probably your best option. It includes a summary of the tips posted to the site each week. This newsletter is subscribed to by over 25000 readers (many who also subscribe to the other options above) - come join the community!
To subscribe to this weekly newsletter simply add your email address to the following field and then follow the confirmation prompts. You will be able to unsubscribe at any time.
Enter your email address for
Free Weekly Newsletter: