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A dear friend of mine recently had a baby, and I've been snapping hundreds of photos... The new mom asked me for some prints of a few, and I ordered both from a lab and from snapfish...
I chose the "color corrected" option when ordering from the lab, and the prints came back nice, but without the "pop" that the photos have on screen.. and to my eye, they have a slight yellowish cast to them... not bad, but not great when compared to how the image appears on screen.. The snapfish prints have a severe yellowish cast... I am definitely an amateur, but I want to take beautiful pictures (and to produce beautiful prints!). I've attached originals (scaled down just a bit, but otherwise SOOC), and at least on my screen, the lighting is pretty close to the actual lighting when I snapped the pics. The photos look fine when I preview on the camera, fine on screen, at least to my eye. Is my eye deficient? Can I trust it? Are there adjustments I can make before sending them off? Should I adjust the WB on the camera (Canon XTi)?Thanks so much for any advice! |
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Color labs work with a lot of images and have come up with a formula that works pretty well for people who only point and shoot. For those of us who have learned to work with images those settings can spell disaster. In most cases you will find that you are much better off if you do your own color corrections and sharpening and tell the lab NOT to make any corrections. Eventually you may develop a working relationship with a lab and have some heart to heart conversations with them about what they consider the ideal image for printing and ways you can help deliver that as often as possible...but even then, you are most likely going to be better off making your own corrections.
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Lee R http://lucentbydesign.blogspot.com// The real voyage of discovery consists not in seeking new landscapes but in having new eyes. -Marcel Proust |
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In addition to what Lee has said, you may be experiencing some issues due to monitor calibration.
You see, labs print according to specific color profiles. If the monitor you're finishing/viewing the photos on is not calibrated to the lab's color profile, you will see a difference between what shows on your screen and the physical print. However, your photos do look on the warm side. I would adjust the white balance to see what that does for your prints.
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Are we looking at the same images Those things are practically orange.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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But not really orange -- I suspect my monitor isn't giving me a true representation of the image. I need to figure out some way to calibrate the LCD screen on this laptop (LCDs are apparently more difficult due to the different viewing angles?). I will adjust the white balance, but I'm afraid I'll be scared to do any post-production editing for fear of my eyes lying to me (of course, if I'm capturing good images, as an amateur, I shouldn't worry too much about post, right?). Thanks all for the advice. |
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That's the problem ... they don't appear orange on my screen... Would you say the snapfish prints are likely a true (or truer) representation of the image? They weren't color corrected (lab photos were) and are orange.
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ttosifa has posted an example that is considerably more accurate.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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You get what you pay for. I would NEVER EVER EVER trust any of my work to a Wal-Mart type of lab. The name of their game is production and if the print happens to look good that is a plus but that is not their main goal, their main goal is $$$. YOUR main goal is to produce an image that is so beautiful that your client will want to brag to everyone she knows how great of a photographer you are as she shows your image of her child. If it is orange guess who's fault it is (hint, it ain't the lab.)
Some tips on getting a good color balance. 1. Shoot in Raw only. 2. Shoot a grey card immediately before the session using the exact same lights you will be using in the session and take careful meter readings. 3. In ACR take the White Balance eyedropper and click it on the gray card, then click on Select All. Now you have perfect white balance. 4. Get a good professional lab to do your printing. I use H & H Color in Kansas City. Benji |
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if price is an issue, you might want to ask someone in your area if they have a calibrator and ask to borrow it for an evening.....then save that calibration to a folder for later..... peeper |
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