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Hi All,
I am reading "Understanding Exposure" by Bryan Peterson. I came across this sentence that I cannot understand - "...you do not focus the lens at all; but rather preset the focus via the distance setting". Bryan is talking about focusing for landscape shots using small apertures. I own a sony a200, and am wondering if this is something I should know about (or just is possible in my camera). Thanks |
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Frequently with landscapes, this distance to the "subject" is further than any of the focusing except for the infinity setting. So he's suggesting to make sure you get the focus right, to set to manual focus, set the lense to infinity, and then take your shot. At least this way, with the small aperture, the auto focusing mechanism wont get confused and try to focus on something closer, which isn't what you want.
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Canon EOS 40D, 400D (EF 75-300mm, EFS 18-55mm, Sigma 50-200mm, Canon EF 70-200mm f/2.8L) Earth Home Construction Project Site: Stockton Underground Also: Photos @ Google and Photos @ Flickr |
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oh no, its first publication was 2004 so its not old. This makes sense though.....i've had the odd time with my zoom shooting landscape where it doesn't want to focus autmatically, now i realize i should have put it on manual....thanks.
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Corry Digital Rebel XTi ● EF S 18-55mm ● EF 50mm 1.8 ● EF 75-300mm , Sigma 18-200 OS, Battery Grip, Close up Filters flickr My Photo Blog |
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Only 2004? That surprises me! Mind you, the market develops so quickly. I could probably get a new D40 now for not much more than I paid for my first digital camera (a Fujifilm Finepix 1400 Zoom, back in 2001)!
Wulf |
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The book's probably referring to setting the hyperfocal distance here. One of the Ansel Adams books covers this too. This is something you can do with any camera that allows manual focusing, though how well it can be done is another thing entirely!
The basic idea is to get landscape shots with as much in focus as possible, you don't focus to infinity, but to some point nearer the camera. How near depends on the aperture, focal length and size of the sensor/film. The acceptable focus range extends in front and behind the focal point, the key here is the extension behind is considerably further than in front, so the actual focal distance could be pretty close, yet everything out to infinity is still in focus. Back "in the day", the manual focus lenses had markings which indicated where the hyperfocal distance was for each aperture setting, but with most autofocus lenses now you're lucky if you have any distance scale at all, and if you do it's almost certainly not going to have many useful markings on it. The good news is you *can* calculate the focal point. I have a piece of free software called CDoF which runs on a Palm Pilot to do this. There are simlar tools for other platforms, and online too. Search for "depth of focus calculator". As an example, if I have my small-sensor P&S set to 50mm equivalent and f/5.6 I would set the focal distance to about 10.5 feet. This gets everything "acceptably" focused from about 5 feet onward (though in my case the teeny-weeny little sensor can't really resolve fine detail well enough for this task anyway. )That still doesn't solve the problem with lousy distance markings though. The only way to fix that would be to use an old manual focus lens which has a decent scale on it.
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Modified Olympus C4000Z, Pentax AF500FTZ and Minolta 1800AF flashes. Flickr. Website. Blog. Twitter. I am not The Stig. |
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Thanks for all the replies.
Reading ahead, I realized that Bryan Peterson himself gives a rule of thumb for situations where markings do not exist. Paraphrasing - "With your lens set to f/8 or f/11 and at the widest focal length, focus on something in the scene that is 5 ft from the camera. Then adjust your shutter speed till a correct exposure is indicated and simply shoot!" Would anyone like to add any caveats or more details? Thanks a lot! |
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The first edition, which is based strictly on film was done in the 90's if I'm not mistaken. The update, to include digital, was done in 2004.
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Lori Putman flickr ~No one can drive us crazy unless we give them the keys ~~Life isn't about waiting for the storm to pass, it's about learning to dance in the rain! 7D | 300L f/4 IS | 135L | 35L | 100/2.0 | 50/1.4 430 EX, 580 EX II Speedlites |
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I wonder if I can find something like CDOF that'll run on my WindowsMobile-ized phone.
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Canon EOS 40D, 400D (EF 75-300mm, EFS 18-55mm, Sigma 50-200mm, Canon EF 70-200mm f/2.8L) Earth Home Construction Project Site: Stockton Underground Also: Photos @ Google and Photos @ Flickr |
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