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hi, great shots. can you share the exif data of the image...
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Quote:
Now more professionally lit, as a movie company might do. You've learned a thing or two.
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OK to re-edit and repost photo(s) only on DPS forums Proud user of a Fuji FP S3100, Nikon P90, a Canon T3i, and persistence. |
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Just checked your flickr page - some great stuff on there! You've inspired me!
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-------------------------------- Nikon D200 body, Nikon 70-200 VR f2.8, Nikon 17-35 f2.8, Nikon 50mm f1.8, Sigma Macro 50mm f2.8 View my photostream at http://www.flickr.com/photos/henryscat My Blog is over at http://pkperspective.co.uk/ |
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Amazing, you have inspired me too! I love the rework on this picture. Looks like this should be in a magazine for a car commercial.
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Nikon D40 body 18-55mm Nikkor kit lens & 55-200 VR Nikkor | Sunpak 433d flash, Cactus v4 wireless trigger set filters: UV, Circular Polarizer, and Hoya R72 IR | Gorillapod and standard tripods. flickr |
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Honestly, to take outdoor night exposures, what I mostly do is use a tripod. I aim for ISO 100 (200 if things are /really/ dark), f/11 to f/14, depending on my whims at the moment, and then 20-30 seconds of exposure. If you have live view (or some other way of locking the mirror up, to avoid shutter-jitter) and either a remote trigger or a timer that you can use to ensure you're not touching the camera when the exposure starts, make sure to use them.
But really, the short form is 'low ISO, small aperture, long exposure, and don't let the camera move if you can avoid it.' ![]() If you're shooting JPG, toy with your white-balance to make sure things are cooler; live view works well here. If you are shooting RAW, you have a little more freedom in post-processing night shots. I've discovered that the ideal when you can is to get that cool, twilighty blue gradient in the sky; the effect can be very powerful. Hope that helps! |
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