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I enjoy photos of moving water, little waterfalls, creeks etc but notice that the "white water" areas are overexposed. I mentioned this to a photographer colleague at work (we're nurses and I am very much amateur photography and he semi professional).
Anyway he said expose for the highlights, or something similar. At the time I thought that meant to focus on the highlights and the camera would expose for that and the white water wouldn't be so over exposed. I tried it but same results as previously. Here's an example of what I mean - loss of definition in the water, although this was a sunny day. ![]() If anyone understands what I'm trying to ask, could they please explain. Many thanks.
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Canon 600D: EFS 18 - 55 f/3.5 - 5.6 ISII: EFS 55 - 250 f/4 - 5.6 IS: EF 50mm f/1.8 II: Meike extension tubes: http://www.flickr.com/photos/rose_mcgillicuddy/ Last edited by silverbirch; 01-15-2012 at 07:29 AM. Reason: added image |
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You almost have it, it does not mean focus on the highlight, it means meter on the highlight. Thus, rather than use matrix (evaluative on Canon I think) metering you should spot meter of the bright area. This will prevent the white from being over exposed, but may leave the other area dark - you need to try and then check the histogram. You then might have to add some exposure compensation to get a better exposure. The problem you may have is that your camera (all cameras) only have a certain dynamic range and it might not be possible to capture the full range of light that your eye can see. Thus, your choice as the photographer is to decide which part of the image is more important to accurately capture.
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Nikon D700, D300, D5000, NIKON GLASS 85mm F/1.8 D, 105mm f/2.8 Micro AF-S VR, 70-200 AF-S VR f/2.8, 28-300 AF-S VRII,10.5mm Fisheye, 24-70 AF-S f/2.8, TC-20E II AF-S, Sigma 12-24 HSM, Sigma 30mm f/1.4 HSM, Sigma 150-500 OS, 2 SB-600 Speedlights, Manfrotto 190MF3 tripod & 322RC2 ball grip head. - NJ, USA Flickr Photobucket Ok to edit and repost my shots on DPS forums |
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Thanks - I've read in the manual about different metering and it seemed a bit beyond me for now. Will go back and reread, and try it, seem to learn best that way. Thanks so much.
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Canon 600D: EFS 18 - 55 f/3.5 - 5.6 ISII: EFS 55 - 250 f/4 - 5.6 IS: EF 50mm f/1.8 II: Meike extension tubes: http://www.flickr.com/photos/rose_mcgillicuddy/ |
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kirbinster is correct, you have to spot meter for the bright area. Preview your pic and you may even have to use exposure compensation of say -1ev as well to get rid of the blown areas.
Doing this means the bright area will then be exposed correctly but the darker areas will be underexposed. The solution then is to use photoshops shadow/highlight tool to bring out what is in the shadows. There is a limit to this though, as noise also becomes more visible as the shadows lighten. Here is a very similar task i set myself a while back (to expose for and capture a water fountain at three different times) ... Into The Light
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Cameras: Pentax K5, Pentax K-x. PP: Photoshop CS2, Picasa 3 Lenses: Pentax-A 50 f1.7, Sigma DC 17-70 f2.8-4.5, Pentax DAL 18-55 f3.5-5.6, Sigma EX 28-70 f2.8, Vivitar 70-210 f3.5, Sigma DG 70-300 f4-5.6, Sigma DG 150-500 f5-6.3. But while gear helps - it's all about the light ... Portfolio Picasa albums Panoramio |
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Thanks so much for all the information. I like water so will persist with it, and certainly try in differrent weather conditions and light. I think the sunshine has been pretty bright most days I've been to that particular area. I'll take the manual with me next time also for reference. Plenty to learn :-)
Thanks again.
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Canon 600D: EFS 18 - 55 f/3.5 - 5.6 ISII: EFS 55 - 250 f/4 - 5.6 IS: EF 50mm f/1.8 II: Meike extension tubes: http://www.flickr.com/photos/rose_mcgillicuddy/ |
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Instead of HDR, I would take one exposure for the hightlights, one for the rest of the image and blend the two exposures using a layer mask. I do that on most of my images now and it looks a lot more natural than HDR. It's needed to overcome the old dynamic range problem.
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GREG - Canon XS with 18-55 kit flickr flickriver My 500px "You can't be young forever, but you can always be immature." - Larry Andersen. |
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from what I have found,, water and bright sun don't mix, try shooting on an overcast day and meter on the bright parts of the water, ie where the water is splashing. I use a polarizing filter too when I am shooting water.
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www.photographybydavelines.com |
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What ever you do for pics like this be sure you bracket your shots as well.
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Canon 60D, G12, Leica V-LUX 20, Canon 10-22mm EF-S f/3.5-4.5, 18-135mm EF-S f/3.5-5.6 IS, 100mm EF f/2.8 Macro, 15-85mm EF-S f3.5-5.6 IS, 50mm EF f1.4, 70-200mm EF f2.8L IS II, Kenko tubes, Satechi WR-C100 Wireless Remote, B+W Filters, Gitzo monopod, Sunpak 623px tripod, Sunbounce mini micro reflector, Colormunki Photo, DPP, PSD, Pixma Pro9000 Mark II, MAC, WIN. |
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