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Hello!
First of all hello everyone! I recently discovered the joys of photography and been shooting almost everyday since getting my first proper camera. I have no troubles taking nice shots at daytime. But when there's no light the problem starts. I just can't seem to get the exposures right. It's always under or overexposed. A couple of days ago I saw this amazing sunset and took some photos. I thought they we're ok on the camera's screen. They looked like crap on my monitor however. It looked so bland and boring. Certainly not the scene I so eagerly took photos of. So to the point. - Even when using tripod my pictures are fussy and not in focus - Exposure seems to be wrong no matter what setting I try - The colours of an amazing sunset are missing and the pictures look nothing like it originally was PLEASE, can you help me and share some general tips for shooting landscapes at low light conditions. Thanks so much !PS. I cannot add any pictures right now but will do later |
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Switch over to "Shade" settings instead of Auto White Balance to get the warm tones of a sunset. If you have a remote to release the shutter use it while your camera is set on a tripod.
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ShutterTux | Flickr "I gaze at the sunset with the woman I love & think f/8.0 at 1/250" |
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list |
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Advice from a newbe who resolved the exact same problem you were having - Switch the metering to spot (aka pin-point).
On my Canon T1i, I use Tv (Time Value, aka Shutter Mode) - Mess around with shutter speeds around 1/30 - 1/50, pin-point (or spot) metering, and everything else the same. Instead of washed out sunsets and evening shots, they're very dramatic, and rich. Give it a try. Hope this helps.
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My gear: Canon Rebel T1i - Canon 18-55mm f/3.5 - Canon 55-200mm f/4 - Canon 50mm f/1.4 - Canon 10-22mm f/3.5 - Canon Speedlite 580EX II |
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Even though you're using a tripod, make sure that it's sturdy. You can brace it by hanging a stuff sac full of rocks from the bottom of the center column.
Also, I would definitely shoot in RAW, that way you can extract the maximum amount of color and exposure information from your images. Finally, bracket, bracket, bracket your exposures. I'll say it again. Bracket your exposures. Meter off of the colorful sky and then go from there, realizing that no matter what, your foreground, or the land part of the landscape will fall into shadow and appear underexposed. A scene like that simply has too much contrast for the camera's sensor to render everything. You'll have to choose to highlight the sky and let the foreground drop to shadow. Hope that helps.
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Daniel H. Bailey's Adventure Photography Blog -Exploring the world of outdoor photography with tips, news, imagery and insight. Become a Fan for new imagery, eBook discounts & great outdoor photography content! Check out my new eBook: Going Fast With Light: A Flash Guide for Outdoor Photographers. |
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Sunsets and other majestic sights are "emotional"..catching the perceived colors and wonder i almost impossible..
Fuzzy however....that's a technical issue.
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Steve the Photographic Academy.com My Portfolio, My Flickr, My Blog D4, D7000, G10, 1030SW and a bunch of other stuff.... |
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Good point. More often than not, we do have some sort of emotionally attachment to our subject matter, that's why it draws us in. Where there's emotion, there can sometimes be expectations about how it should look or turn out in our minds. This can affect the way that we perceive our finished image, even if we create a technically 'perfect' photograph of the scene.
Remember, a great image is not an exact copy of what you saw in front of you, it's an artistic representation of the scene that reflects your emotional attachment to the subject matter. Therein lies the biggest challenge of the photographer, to create technically perfect images that match our emotional response to the scene. Sometimes, though, even the technically perfect shot won't properly convey our emotional attachment. That's where open minded creativity come in.
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Daniel H. Bailey's Adventure Photography Blog -Exploring the world of outdoor photography with tips, news, imagery and insight. Become a Fan for new imagery, eBook discounts & great outdoor photography content! Check out my new eBook: Going Fast With Light: A Flash Guide for Outdoor Photographers. |
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This post actually got me thinking and it prompted me to write an article about the expectations and the disappointment that can sometimes happen with our photography, much of which is largely due to our emotional attachment to the subject matter.
Read it on The Photoletariat. The Photoletariat: Photograph With Emotion, Manage Expectations and Disappointment
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Daniel H. Bailey's Adventure Photography Blog -Exploring the world of outdoor photography with tips, news, imagery and insight. Become a Fan for new imagery, eBook discounts & great outdoor photography content! Check out my new eBook: Going Fast With Light: A Flash Guide for Outdoor Photographers. |
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Well put. Thanks for articulating how our expectations and emotions affect our images and the way we perceive them. I think you should post your article as a tutorial so everyone can read it!
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GREG - Canon XS with 18-55 kit flickr flickriver My 500px "You can't be young forever, but you can always be immature." - Larry Andersen. |
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