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Hi Suzanne. I don't think you can get away with having a sloping sea level. For me no cropping is needed. just get the sea perfectly horizontal and you have a good image. PAUL
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Don't kill the dream: execute it Canon 500D;Canon 18-55 kit lens;Sigma 150-500 F5-6.3 DG OS;Sigma 105 F2.8 EX DG Macro; Samsung P&S L730; lots more I'm desperate for. http://www.flickr.com/photos/43224829@N03/ |
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That's better. Here's my quicky attempt.
Because of the overall look of the boat I went for something of a "battened down for the approaching storm" idea. Mostly curves and shadow/highlight adjustments. I do think it's a bit overdone in the HDR feel...
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Steve the Photographic Academy.com My Portfolio, My Flickr, My Blog D4, D7000, G10, 1030SW and a bunch of other stuff.... |
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Thanks for your help, I like your changes. Because of the tilt of the boat, it's clear that the wind is blowing but your edits make the scene look much more foreboding. Now I've just got to learn some real editing software. I've got the beta version of Lightroom 3 and am going to start the hunt for tutorials tonight.
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I use Photoshop, but If it were my money I'd probably use GIMP.
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Steve the Photographic Academy.com My Portfolio, My Flickr, My Blog D4, D7000, G10, 1030SW and a bunch of other stuff.... |
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Hi Suzanne,
It's generally possible to come up with something interesting out of most shots, so I have instigated a policy of not deleting anything unless it's out of focus (actually, wildly out of focus is called artistic, so I sometimes keep those too ).You've chosen an interesting subject, the worn out fishing (I assume) boat has tons of character, a bit of rust here and there, some peeling paint and that rather wonky looking derrick jib thing. Personally, I think that's where the interest lies with this scene. I might have considered shooting close-ups of the weathering boat. Alternatively, shooting much wider and including more of the jetty (assuming that there is one there) would have given the boat some more context. From a colour perspective, I think this shot lends itself to b&w, mainly as a result of the mixture of bright colours on the ship itself (reds, greens, blues and yellow). If there's a real mixture of clashing colours, I often think in b&w so they don't distract from the shot. (The blue tarpaulins really grab my eye and they shouldn't, they aren't the most interesting thing on the boat). B&w will also disguise the muddy brown of the water. The colours have a slightly cool feel to them so I thought I might continue this in my take on your shot - choosing a cooltone look for the shot. ![]() What did I do in a couple of minutes in photoshop? - Fixed up the horizon (I'll have what you were drinking )- Crop - New adjustment layer - Hue/Saturation - Tick colorize box - Set hue 220 - Set Saturation 15 - New adjustment layer - Curves - Apply "Increase Contrast" preset. If I had the time, I'd do a bit of dodging and burning to improve the tonal range. I'm glad you didn't delete the shot - you've inspired me to head down to the fish markets here in Sydney to grab some shots of the trawlers unloading their catch. Oooh, and thanks for posting in critique rather than SYS
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Neil www.hargreavesphotography.com.au | Twitter | Blog | email Canon 5D2 | Canon 50D | Canon 10D 17-40L | 24-70L | 35L | 70-200 f/2.8L IS | 100L Macro IS | 135L | 85/1.8 | Sigma 50/1.4 | Pocketwizards & other lighting stuff |
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Thanks for taking a look and making me glad I didn’t delete it too! The input that I’ve gotten in this thread is great and I’m definitely much more comfortable with posting in the Critiques section. |
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