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What did you want to viewer to get out of this image? Did you try to choose a composition to maximize that?
I think your image lacks a subject, so my eye wanders around and there is nothing for it to settle on. Also, your horizon is not level. Placing the horizon in the middle of the image makes the viewer choose the top or bottom half. Generally, I have only seen this used effectively in water reflection shots. Almost all great landscape shots are taken in the golden hours when the light is softer, not the middle of the day.
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GREG - Canon XS with 18-55 kit flickr flickriver My 500px "You can't be young forever, but you can always be immature." - Larry Andersen. |
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I think the colors are fine. The foreground has a nice warm tone to it which contrasts with the cooler blue sky. I don't see this as unnatural. I've got a few from a late afternoon that are similar in tone:
![]() Shooting Clays (2 of 4) by IABoomerFlickr, on Flickr ![]() Sunset reflections by IABoomerFlickr, on Flickr How could you make this better? Consider using the rule of thirds. As shot, the horizon is pretty much smack in the middle. Since the sky doesn't have much detail or drama, you might be better served cropping out the top section of sky, or better yet, getting lower the the ground and composing with less sky. If your goal was to show off the mountain and the cape, you either need to move much closer, or zoom in much tighter. Those elements are so distant and small that I wouldn't pick them as the subject. To me, the point of interest is the blowing grass in the foreground. The background provides a little context, but it's the motion that grabs my attention. |
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I agree with the comment about the horizon.
And while noon isn't always the ideal time to shoot, that doesn't mean that you can't take great photos then. It would be fantastic if we all had the time to shoot at only the golden hours, wouldn't it? (end mini rant ).I think that the comment about a lack of subject rings true though as well. Especially because the horizon sits around the middle. So you don't have the foreground or the sky dominating the shot. In this case, I wouldn't include more sky, I'd include more foreground. But that unfortunately cuts out the nice blue of the sky. Speaking of which, I don't find the colours unnatural because around here we really do get skies that blue and bluer. I think in order to make a shot like this better there are a few things you can do. (1) Read up on the rule of thirds as a starting point to get out of the mindset of splitting the scene in half. (2) Look for some sort of focal point in the image. (3) Straighten those horizons. And just to help out a little more, here are a few links from the blog that talk about those sort of things: 7 Easy Tactics for Better Coastal Landscape Photography 4 Rules of Composition for Landscape Photography 6 Winning Ways to Work Wide Leading Your Viewers Through Your Photos P.S. Welcome to the forums!
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Nikon D90 | Sony NEX-3 Nikkor 18-55 | Nikkor 70-300 | Nikkor 50 f/1.4D | Lensbaby 2.0 | Nikkor 85 f/1.8D | Nikkor 105 f/2.8 VR | Sigma 10-20 f/4-5.6 | Nikkor 10.5 f/2.8 Fisheye | Sony 16 f/2.8 | Sony 18-55 | 2xSB600 | Orbis Ring Flash Adapter My Flickr |
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Thank you for you for your comments, I'll research the rule of thirds and use it in my next compositions. Next time I want to capture this view, I'll make sure the horizon is straight and zoom in on the cape to make it my subject. Thanks Nicole for the links, I'll check em out. There's a wealth of information, talent, and experience on the forum, glad to be here
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