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Well, to me it doesn't look over-processed. This is a matter of personal preference and I would say that the colour saturation is "on the edge", ie. a little bit more and it would be too much. I think this is an interesting photo because of the nice reflection in the sand and the bicycle, but it would like to see it placed differently. It would be better if the bike was in the left part of the photo, so it has enough room to move in its direction. Besides that, the left 1/3 of the photo is uninteresting and I would crop it. Or maybe even better, you could crop it to square format, that would place the bicycle almost in the center. Again, that's not ideal but I think it's better than this crop.
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Canon Rebel XS 18-55mm IS, 75-300mm, 50mm f1.8, 70-200mm f2.8 Flickr Always ok for DPS users to critique and edit my photos for instructional purposes. |
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I also agree with the above comments.
With the bicycle on the left, that side of the image wouldn't be uninteresting and given the bike is heading to the right, an empty beach shot there would still hold interest because the bike is heading there. Another concept would be to have a longer exposure with the bike leaving a trail across the picture. That would give the left side of the picture some interest. Last edited by flytyer57; 08-30-2011 at 06:57 PM. Reason: added last paragraph |
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I like the level of saturation, it gives a very real feel of what it must have been like to be there. I also think the bike rider going right into the sunset is pretty cool. I wouldn't change anything.
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"No matter how slow the film, Spirit always stands still long enough for the photographer It has chosen." (Minor White) "Aim well, shoot fast, and scram." -- Henri Cartier-Bresson Nikon D3000; Nikkor 18-55mm, and 55-200mm (kit lenses) www.roadsidegems.blogspot.com |
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I really like it and whilst I agree the bike is heading in the wrong direction, I think the richer colours on the right hand side of the shot suit the bike in that position. I think the slightly darker left hand side of the shot would mean the bikes impact would not be as significant and your eyes would be drawn to divergent points; both sun and bike.
Whilst I'm not always in favour of doctoring photos, i have had people tell me extensive PP is the same thing. As such, have you thought about keeping the bike in the same position and flipping it. Given the wave is directly through the centre of the axles, it may not be too difficult; just a thought... Cheers
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Mulski. _________________________ Canon 400D |
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Here is a slightly different version. Less saturation and the bike more to the left. I've put this up to offer the comparison and in response to some of the comments and I'm interested to see what people think of the new version. Honestly though, I think I still prefer the original.
![]() Same Exif data applies as above. |
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I like the first shot better too. I don't think it's over processed but I wouldn't go any further either.
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Corey Canon 40D|ef-s 10-22mm|35mm f/2.0|50mm f/1.4|85mm f/1.8 www.coreythompsonphotography.com Follow me on Flickr Follow me on Google+ |
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Use the colors from #1 to the comp from #2 and you've got a winner. I like where the bicycle is moving into the scene, not out of it.
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Photoblog Subscribe here! Flickr 500px In landscape photography, when you shoot is more important than where you shoot. |
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