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My job brings me to many industrial areas around Los Angeles. I dont normally carry my camera with me but I happened to have it today. I havent shot any city/urban but I spotted the graffiti wall and thought Id stop and grab some shots. I know lighting is not best as it is in the middle of the afternoon, but I dont think I would like to visit some of these areas while in "good" light.
I used a polarizer and iso 200 was a mistake should have been 100.I would like to start trying to get some of the LA street/urban so any input would be appreciated as this is out of my norm. How is the composition? Do either do anything for you? I tried to isolate the paint can in both focus and post processing. Does it do anything for the pic? or is it lost? Exif data Camera Sony DSLR-A300 Exposure 0.002 sec (1/500) Aperture f/5.6 Focal Length 18 mm ISO Speed 200 Exposure Bias -0.7 EV Flash Off, Did not fire ![]() DSC08115 by 2_stroke, on Flickr Exif data Camera Sony DSLR-A300 Exposure 0.008 sec (1/125) Aperture f/11.0 Focal Length 18 mm ISO Speed 200 Exposure Bias -0.7 EV Flash Off, Did not fire ![]() DSC08127 by 2_stroke, on Flickr
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Sony a580 a300 16-50 2.8 sony 18-70 kit lens 70-210 f4 minolta 28-135 minolta 50 f1.7 |
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Good shots!
In the first one I would like to have seen the paint can much closer in the foreground, but good captures both of them.
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Nikon D700, MB-D10 grip, Nikon AF-s 16-35 f/4 VRll, Nikon AF-s 28-70mm f/2.8D ED, Nikon AF 80-200 f/2.8D ED, Nikon AF-s Micro 105 f/2.8 G ED VR. My flickr My500px banphotography.com |
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Nice shots, I prefer the 1st one. Like Bruce, I would also like to see the can placed more prominently in the foreground.
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GREG - Canon XS with 18-55 kit flickr flickriver My 500px "You can't be young forever, but you can always be immature." - Larry Andersen. |
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Thank you, for the comments! Totally agree about the spray can, I was using live view and holding the camera very low, I didnt lay down on the rocks, but could have gotten a better look at it had I done it.
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Sony a580 a300 16-50 2.8 sony 18-70 kit lens 70-210 f4 minolta 28-135 minolta 50 f1.7 |
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I like both photos! Regarding the first one: I find it weird to see that building post leaning, IMO it would be much better if it was straight. Next, like others, I would like to see that can closer in the foreground. I think your focus is good (spot on the can, and the wall being slightly blurred but still clearly understandable). Also, I find the rocks in front of the can to have weird colour, I think that happened during your pp-ing.
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Good eye milosh. I did desaturate the rocks some because it was chaotic combined with the harsh midday sun and the noticeable "burn" that is making the rocks go wonky. This one warrants a re-shoot maybe a cloudy day for better light and "mood".
Something I rarely do but maybe a manual focus and positioning myself closer to the paint can would help, my a300 has 9 focus points and on this shot was using the bottom right corner point.
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Sony a580 a300 16-50 2.8 sony 18-70 kit lens 70-210 f4 minolta 28-135 minolta 50 f1.7 |
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