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Don't know about Canon. but Nikon has a setting of "Vivid" which increases saturation of primary colors. It can easily be applied to the raw file in post if you didn't do it when you took the shot. You can also increase the saturation of reds and adjust the curves in Photoshop.
Other than that, I have nothing. |
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see this is where i fall down i have no idea how to use the post software
![]() Have had a go doing what you said and the result can be seen on my flickr page IMG_3398-Edit.jpg | Flickr - Photo Sharing! does this look better??
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Canon Eos 50D EF-S 18-135 If only i could do the camera justice
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I think part of the problem is that you focussed on the wall and not on the hydrant. tighter aperture would have helped you get both in focus, but the soft edges on the hydrand just seem to stop it from popping off the page
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Sony Alpha α450, α330 Lightroom 3, Adobe CS5, iMac 21.5" I Shoot RAW |
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And you would have done better to get lower down. Things look more imposing when you look up at them, and are weakened when viewed from above.. (It's all to do with out ego I'm told!)
Anyway, if you could have got down so you were viewing theis from it's own height or below, that would have altered the composition greatly. Also, bothe the wall and the hydrant are wonky.. you need at least one thing straight, or choose much greater angles to make it look deliberate. Small angles like this just annoy your eye and the composition just ends up looking wrong. You should have moved much closer and opened the Aperture up.. Your lens goes to F3.5 at the shortest end, you'd have got some lovely blur if you'd snapped it at 18mm from much closer, with the added benifit of the wider angle lens increasing the perceived distance to the wall, making the whole thing more imposing as a subject. It's also a little small for my tast, I'd like to have seen it take a much larger proportion of the frame. Finally, I think I'd have considered snapping this at a different time of day. Everyone is going on about white balance and popping colours, and that's all fair enough, but it's much better to do this kind of thing naturally. If you'd taken this in the evening light, the golden light of sunset would have really enhanced that red wall, and pushed out the blues in the white hydrant.. Oh, and one final thing.. Take your camera out of auto-ISO mode. It absolutely amazes me how many people leave their camera's in Auto mode, take photos at incredibly fast speeds unnecesarily, and reduce the image quality as a result.. You're at 800 ISO snapping ato the maximum shutter speed your camera can manage, you really can't expect to get the most accurate exposures when you push the camera to its limit.. Drop down to 100 ISO and your shutter speed should drop to 1/1000, more than enough to grab a still life at any focal length you have available..
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A photo needs to start and finish in your imagination, if it passes through your camera in between, that's cool, if it doesn't, that's cool also. Flickriver Portfolio 500px Flickr NSFW |
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Thanks for the feedback tho on actually making the shot better in the camera as i feel i should be trying to get it right when i take it rather than fixing errors in post given that my PS knowledge is sadly lacking.
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Canon Eos 50D EF-S 18-135 If only i could do the camera justice
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The result is that instead of the strong contrast between bright white and bright red, the shot is a bluish white against dark red - not nearly as striking. This is a very good case for using post-processing to restore a photo back to the way it looked to your eye. As Bruce said, turning the bluish white back to white and then perhaps adjusting the brightness and hue of the wall would probably go a long way. It will take someone more skilled than me to tell you how to achieve the same things in camera but getting an accurate white balance would probably be a start. Last edited by Sterling; 03-31-2011 at 03:12 AM. |
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