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I'm no expert on this type of photography (far from it in fact) so take this as you feel it's warranted, but if you wanted the moon to look real, then one shot exposed just for the moon and masked so that is the only part which comes through, then masking the over exposed moon out of all the other exposures would have come closer to accomplishing what you wanted there. I also feel that the structures are too bright. Shooting a 20 second exposure with everything lit by the streetlight might not be the best idea. I also am not fond of the wires.
Again, I'm going by what seems attractive to me, not by any level of experience with this style. You may get some very different comments from someone who knows what he's talking about.
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Rick Canon 60D; EF-S 10-22 f3.5-f4.5 USM; EF-S 17-55 f2.8 USM; EF-S 60mm f2.8 Macro; EF100mm f2.8 L IS Macro USM; EF 70-200 f4 L IS USM |
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Thanks Rick! It's pretty much a stab in the dark on my part as well.
I'm brand new to phtography, and this was the very first night shot I've done. I tried some different apertures and shutter speeds, but everything but 20seconds and wide open was too underexposed :/ I'm going to try again on the next clear night we get, hopefully with some pointers from here to help me out. I think you're right about the street light, maybe I'll expose one shot for the moon, one for the houses, and then do the stars, and try to mask out the bad parts of each photo... lol this is turning into a real project! |
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I would completely leave out the modern building elements in a shot like this. Go find a park somewhere, get a tree (or something similar) as a silhouette, and then go for the star trails.
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Photoblog Subscribe here! Flickr 500px In landscape photography, when you shoot is more important than where you shoot. |
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I agree with Beav...go away from the buildings. But more importantly, get away from the lights period. As a matter of fact, the reason you get everything underexposed so easily is because of the bright surrounding lights. For star trails it's best to get as far away from city lights as they will always trump the sky in any long exposure. Unfortunately, so will the moon, which is actually very bright considering what surrounds it in the dark. So you really have to choose in a sense...moon or star trails. Getting both requires a lot of effort in post or be willing to accept the moon being overexposed.
Hope that helps!
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Cameras: Pentax K5, K20D, K10D, *istDL, ZX-7, ZX-L Eagle Vista Photography - Flickr - Pentax Gallery "Anybody can make the simple complicated. Creativity is making the complicated simple." Charlie Mingus |
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I agree with the above two posts. In addition, I'd point the camera north if I were in the northern hemisphere, or south if in the southern. The reason being that at the moment you have a series of straight lines in your picture, by pointing the camera in the direction of the axis of rotation, you end up with arc's. This will make the pictures more interesting. Put an object, like a tree or hill or something between you and those arcs, and you end up with something far more pleasing and interesting to the eye.
Keep your shutter open for more than 30s if you want arc's in a single shot, instead of merging them. Make sure that you open the shutter almost immediately after it's closed, to prevent the "dotted" effect you have.
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A photo needs to start and finish in your imagination, if it passes through your camera in between, that's cool, if it doesn't, that's cool also. Flickriver Portfolio 500px Flickr NSFW |
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Quote:
Dave
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Post count does not reflect actual photography knowledge. |
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I was trying to do that. My camera runs a noise reduction program that equals the time of the exposure. (If I take a 20 second exposure, it had 20 seconds of downtime afterward where I couldn't take another picture.) Is there a way to work around this?
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Your camera should have a way to shut off long exposure noise reduction. Check your camera's manual. Most camera's can shut it off though there are a couple that don't give you this option. If you no option, you're SOL for doing several exposures. Then it will be just doing one long exposure as your option.
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Cameras: Pentax K5, K20D, K10D, *istDL, ZX-7, ZX-L Eagle Vista Photography - Flickr - Pentax Gallery "Anybody can make the simple complicated. Creativity is making the complicated simple." Charlie Mingus |
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