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![]() anchor-guts-1 by jackylicious13, on Flickr I dunno. My big concern right now is the blown out windows in the back. I sort of like it even though it's a faux pas. What do you guys think? edit: Oh right, forgot Nikon d5000 Sigma 10-20mm 10mm FL 200 ISO 1 sec f/4
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Nikon d5000 | Sigma 10-20mm | Nikor 18-55mm | Sunpak 423PX flickr Last Updated 2011 Jan 9 Last edited by curelightwounds; 12-16-2010 at 03:20 PM. |
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I know what you mean.
It's sort of like watching a car getting crushed. Sure it's inanimate but just thinking of all the people who've been there is sad. It may be physically empty but it's full of memories.
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Nikon d5000 | Sigma 10-20mm | Nikor 18-55mm | Sunpak 423PX flickr Last Updated 2011 Jan 9 |
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I do find the blown windows a little distracting in this one. Have you thought about a portrait crop of the left hand side? This would remove the windows & focus attention on the platforms/walkways on the left. Would give a less cluttered feel overall, without losing the sense of abandonment/decay.
You really find some fascinating buildings to photograph - I've been enjoying seeing what you have been posting recently.
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Elizabeth Sorry, can't think of a good quote - any suggestions?! Canon 400D + various other stuff |
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Please include the information asked for int he guidelines. thank you
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Olympus user, Fuji E900, a canon & last but not least a Minolta 35mm and some really old large format box cameras.Not to mention a whole bunch of other stuff. Paint Shop Pro X3, CS3,CS5, Portrait Professional, Topaz Adjust, Lucis Art and the list goes on........ www.alockintime.com |
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Compositionally, I think things could be improved. Since you're shooting wide, I would suggest getting lower to the ground and closer to those papers, and having the machinery as your background. You could go portrait orientation to get this. As it is, there's too much in the image for me to be able to say what your subject is. There's lots of potential here though.
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Photoblog Subscribe here! Flickr 500px In landscape photography, when you shoot is more important than where you shoot. |
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Since you specifically asked about the windows - I didn't notice them until reading your comment. They almost blend in with the scattered papers. I'd almost suggest making the subject a little more defined, but there's a certain level of craziness in the building that works for me!
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It was the first day with the new 10-20mm.
I made three mistakes that day: 1) Exploring multiple places because I need to do a lot of re-shoots now 2) Taking it for granted that I could post-work my way out of the kinks 3) Not reading up on wide-angles before going out with it Ultra wides are a completely different animal. Just when I thought I had tamed the 18mm the 10mm makes life hard again :[ I've read up on some stuff and I'm revisiting one of those places this weekend. I understand now that UWAs shrink the foreground so I need to shoot lower to the ground or closer to whatever I want my foreground to be because it shrinks.
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Nikon d5000 | Sigma 10-20mm | Nikor 18-55mm | Sunpak 423PX flickr Last Updated 2011 Jan 9 |
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I like the compostion and didn't notice the windows at all. I found myself looking closer for details in the subject trying to figure out what may have been manufactured here. Must be my industrial side coming through. I did find this interesting but would suggest shootting this a little closer with more depth of field maybe even bracketing it. I think this lends itself to being a good HDR shot.
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Canon EOS 7D Tokina 11-16mm f/2.8 EF 70-300mm f/4-5.6 EF 24-70mm f/2.8L "Taste after all does have its roots in objective reality." Michael Reichmann http://www.fluidr.com/photos/54908863@N06 |
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Quote:
I agree that composition would be stronger if you got lower. Also, I think the windows are fine. I noticed that, overall, you have a very unique, grungy, dirty photo. I think this would look great in B/W or maybe some sort of a harsh, high-contrast processing.
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Lauren Canon EOS Rebel XS, Canon 18-55mm f/3.5-5.6, Canon 55-250mm f/4-5.6, and Canon 50mm f/1.8. (And that list will grow... )
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