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Well composed but a little flat because of the overcast sky. A polariser might have helped with the haze on the mountains.
I would mask it into separate areas (sky, mountains, water, boats/posts), make it black and white, and use Levels adjustments to punch the contrast right up, varying the different areas for maximum impact. While the sky is grey, it at least has some nice clouds and varying light which will work well in B&W. Oh, and it's just Ullswater, no Lake
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Seeker of the Peace, Part-time Chandelier Cleaner, a Legend in his own Time, Oppressor of Champions, Soldier of Fortune, World Traveller, Bon Vivant, Defender of Reason, All-round Good Guy, Casual Hero, Philosopher. Equations Solved, Revolutions Quelled, Banquets Organised, Governments Run, Test Rockets Flown, Bears Wrestled, Photos Taken.
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Those boats are wonderful nice rich colors but yeah, that grey sky does kinda kill them a bit lol. Sometimes nature just doesn't want to cooperate hehe. Nice angle on the shot though, I like it
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The Betty Project |
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I love those boats! Beautiful scenery and well composed. If you want, the old soft light layer will add a little humph to the photo. I gave it a try out of curiosity and it gave the clouds a little more definition plus intensified the coloring in the boats. I backed off the opacity until it worked for my eyes. That is one of those 2 second deals that can add a lot in some situations.
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Nerve,
Thanks for the ideas. I do not know how to do what you suggest but will do some research. And thanks for the 'Lake' comment, right you are! Jim
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D700 & D90; 70-200mm f/2.8; 14-24mm f/2.8; 28-70mm f/2.8; 105mm f/2.8 VR, 80-400mm f/4.5-5.6; 85mm f/1.8; 50mm f/1.8; 18-135mm f/3.5-5.6; Gitzo 3540LS with Markins MQ20 head; SB600 |
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For example, with the OP's shot here I would select the sky, with the magic wand if possible, polygonal lasso if not (shouldn't be too bad with the mountains being fairly simple). Feather it 0.5 pixels to prevent an artificially sharp edge. Then I'd make a Levels adjustment layer, which automatically uses the current selection to make a mask. Then I'd invert the selection, hold down ALT, and use the poly lasso to deselect the water and boats. Once that's done I'd make another adjustment layer, so now I've masked the mountains and the trees. Repeat the process to separate out the boats and water, add a Hue/Saturation layer at the top of the stack to desaturate, and then adjust away with the Levels layers. In reality I would probably use various selection methods - lassos, pen tool, quick masking etc. The beauty of masking is of course that you can refine the selection with the brush tool after the event. This gives you maximum control over all the separate elements. You could arguably just separate out the sky from the rest of the image and adjust those two halves. Depends how far you want to go with it. Quote:
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Seeker of the Peace, Part-time Chandelier Cleaner, a Legend in his own Time, Oppressor of Champions, Soldier of Fortune, World Traveller, Bon Vivant, Defender of Reason, All-round Good Guy, Casual Hero, Philosopher. Equations Solved, Revolutions Quelled, Banquets Organised, Governments Run, Test Rockets Flown, Bears Wrestled, Photos Taken.
Last edited by RecurrentNerve; 08-12-2010 at 09:14 AM. |
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Nothing worth doing is easy!
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Seeker of the Peace, Part-time Chandelier Cleaner, a Legend in his own Time, Oppressor of Champions, Soldier of Fortune, World Traveller, Bon Vivant, Defender of Reason, All-round Good Guy, Casual Hero, Philosopher. Equations Solved, Revolutions Quelled, Banquets Organised, Governments Run, Test Rockets Flown, Bears Wrestled, Photos Taken.
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