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The crop does bother me a little, and I think you're right about needing something wider. 18mm is pretty wide, but one of the 12-24 f/4s or the Sigma 10-22 would really shine here. Compositionally, I think you're mind is in the right place.
I probably would've gone even smaller with the aperture (f/16, even) to really max out the DoF and sharpness. Color rendering and saturation both look good, were you shooting raw or jpeg?
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JamieDePould.com, Flickr Nikon D300, D700 Nikkor 24-70mm f/2.8G, 45mm f/2.8 Ai-P, 50mm f/1.8D, 70-200 f/2.8 VRII, SB-600 Please read the rules before posting a critique thread. Rules here. |
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Hi dcclark:
I like the photo as it is. It has a nice composition and color are strong. What I think and I'm not particular into HDR but it could do a really stunning photo with it. Just play to see what you get. Thanks for sharing it!
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Flickr NIKON D90 [AF-S NIKKOR 55-200mm 4-5.6G, NIKKOR 50mm 1.8D, NIIKKOR 18-105mm VR 3.5-5.6G] OK to edit my images in the DPS forum only. |
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I love the color and exposure in this picture, love the subject...my only suggestion is to try framing it differently (or cropping) without the smokestack right smack dab in the middle of the picture. I think centering can be good when symmetry is important but I'm not seeing symmetry here. As it is currently composed my eye just goes right up the smokestack and stays there without any other looking around the picture. I think if you had the smokestack more off center the eye would travel more in the frame and eventually go up the smokestack. I think it might make for a more dynamic image (that old rule of thirds!). Of course it's all a personal creative choice but it might be worth playing around with... |
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Great color in this photo. If you were trying to convey a sense of height, you may want to try out a more vertical crop, and if you get the chance a wider lens.
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Gear: Canon Digital Rebel XTi/400D, 28-135mm f/3.5-5.8 USM IS, 10-22mm f/3.5-4.5 USM, 50mm f/1.8 http://photos.netbymatt.com |
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Thank you all!
Yes, the arrangement of the three primary elements (the roof, the side wall, and the smokestack) is exactly what I'm interested in. I think that the wooden roof is visually very interesting as well, so I could perhaps reframe to include more of it. Next sunny day we get (hmm, maybe in April?) I'll be out to try it again. |
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I agree that colour, composition, exposure all look good. I do agree with the f/stop comment above -- you have tons of flex, so why not go up to at least f/11 here?
But looking this photo over, and reading your narrative, I have to say that the one thing this photo lacks is a sense of depth. In trying to figure out why, I had two thoughts. First of all, although the smokestack is further into the frame than the foreground buildings, there are no visual or perspective clues to tell us that. So I don't think having the stack there gets you your depth, at least not the way you have framed it. Second, I think shooting upwards also flattened the photo a bit, in the sense that you are sort of trading horizontal depth for vertical depth. I think this works as an architectural shot, but I think you would need to capture some ground or a more clear foreground/middle/background arrangement to get the depth you ask about. Last note -- I got a Sigma 10-20 for Christmas. Not being a snowshoer I haven't gotten outside with it much. Having said that, I have found that the kit is actually a pretty good wide angle lens at 18mm.
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Nikon D40 OK to re-edit and repost photo(s) only on DPS forums |
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Thanks for the comments, ELAY.
Two people have mentioned that I should stop down farther to max out the depth of field. This seems strange to me, for two reasons: 1. The depth of field already seems very good, and, at least without zooming in to a much larger size, everything seems to be in good focus. 2. Beyond f/11, and certainly at f/20, diffraction will come in to play and more than cancel out any sharpness / DOF gains which I would see. As for the sense of depth in the photo, I'm not sure about it -- I'm going to go try some new things when I can get back up to the mine. However, the layered arrangement of roof-wall-smokestack is what I thought would give it depth, with exactly that fore-middle-background arrangement you mentioned. I think that including the ground itself in the shot would probably make it much less dramatic. Perhaps there's another way... Thanks again! Last edited by dcclark; 02-07-2008 at 03:44 PM. Reason: spelling |
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