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To wind up with a B&W image, I tacked sheets of sketching paper to a sheet of white foamboard. The foam board was then placed about 4 feet in front of a gray, seamless paper background in my studio.
I grabbed a Nikon SB-600, put a blue gel on it, set the speedlight to a wide zoom angle (14mm), put it in manual mode, and set it to 1/32 power. I then put a Stofen diffuser on the speedlight head, mounted it all on a light stand, and placed it behind the paper sheets. A Nikon D300 with a radio trigger was mounted on a 3-way pan/tilt head, and put into position. A few clicks later the base color image was made. All that was left was the conversion of the image to B&W in Photoshop using a B&W adjustment layer and some other common digital darkroom techniques. The EXIF data for the image is intact. Here is the image I made:
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Keith Harrod | Image Works Adobe Bogen Dell Giottos hdrSoft Imagenomic Lexar Nikon Sekonic Sigma Topaz Labs Vivitar Vagabond Wacom Westcott Western Digital Last edited by nokiN; 11-20-2010 at 11:17 PM. |
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Thanks. It's was pretty easy and inexpensive to do.
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Keith Harrod | Image Works Adobe Bogen Dell Giottos hdrSoft Imagenomic Lexar Nikon Sekonic Sigma Topaz Labs Vivitar Vagabond Wacom Westcott Western Digital |
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well, this is brilliant. I couldn't see at first how you arranged the sheets, but a quick visit to your website to look at more images from your Sketch Paper Series, and I now can see it. What a marvellous concept. The PP is also great
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:Blush
Thank you. Often, all it takes is something simple, looked at in a different way.
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Keith Harrod | Image Works Adobe Bogen Dell Giottos hdrSoft Imagenomic Lexar Nikon Sekonic Sigma Topaz Labs Vivitar Vagabond Wacom Westcott Western Digital |
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