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We all know that fast glass costs more money, for many reasons. But what is the real world difference between shooting wih say a 50mm f/1.4 versus f/1.8, or for that matter an 85mm f/1.4 versus f/1.8? Assuming you are not at the very edge of the lens capabilities, is there really any difference say if you were shooting at f/4 with either lens? In other words, what is the justification for spending 3X as much for a lens that is not really that much faster than the other?
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Nikon D700, D300, D5000, NIKON GLASS 85mm F/1.8 D, 105mm f/2.8 Micro AF-S VR, 70-200 AF-S VR f/2.8, 28-300 AF-S VRII,10.5mm Fisheye, 24-70 AF-S f/2.8, TC-20E II AF-S, Sigma 12-24 HSM, Sigma 30mm f/1.4 HSM, Sigma 150-500 OS, 2 SB-600 Speedlights, Manfrotto 190MF3 tripod & 322RC2 ball grip head. - NJ, USA Flickr Photobucket Ok to edit and repost my shots on DPS forums |
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There's this for starters:
Canon EF 50mm – F1.4 vs F1.8 MK II - photo.net That, and the build quality of the 1.8 is pretty shoddy. The plastic body is flimsy, the AF to MF switch feels like it's going to break off when you move it, and my auto-focus broke for seemingly no reason. If you can afford it, I would totally go for the 1.4. Compared to many other lenses, the 1.4 is still quite affordable, especially for what you get out of it. Also, the focusing ring on the 1.4 is not the same as the filter ring, where as the 1.8 is.
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7 d | g l a s s | n e u t r a l d e n s i t y | l i g h t | p e r c e p t i o n |
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Subjectively I think that between my shots with my old 1.8 and my new 1.4, the 1.4 shots seem to have better contrast all around. Not that the 1.8 wasn't a beauty of a lens, but when it came down to deciding to replace it, I went with the 1.4 and (subjectively) saw a noticeable difference to contrast without post-processing. I opted for the D version though, rather than the G version because the price was essentially 2.5x more for the D version, compared to 5x more for the G version.
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Nikon D90 | Sony NEX-3 Nikkor 18-55 | Nikkor 70-300 | Nikkor 50 f/1.4D | Lensbaby 2.0 | Nikkor 85 f/1.8D | Nikkor 105 f/2.8 VR | Sigma 10-20 f/4-5.6 | Nikkor 10.5 f/2.8 Fisheye | Sony 16 f/2.8 | Sony 18-55 | 2xSB600 | Orbis Ring Flash Adapter My Flickr |
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It's not just 2/3 of a stop aperture. In many cases the lenses are worlds apart at the same apertures up to f/2.8, which is where they're most likely to be used. I know in the case of the Nikon 50s, too, the 1.4G is an AF-S lens, which comes with it's own set of pluses.
There's a reason the NIkon 85 1.4 is called the Cream Machine, too.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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Ignoring the aperture, build, and other obvious factors, I would say we are paying for the lens signature.
For example, I'll ignore the 85 f/1.8 for portraits and only consider the 85 f/1.4 'a.k.a. the Cream Machine'. If I'm looking for the sharpest lens then I'll buy a macro lens. Regarding the 50 f/1.8, I consider mine liked a bicycle training wheel and haven't used it for decades. |
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I fully understand build quality issues, but that is not what I am asking about. I understand that a D300 costs more than a D90 - yet both will take the exact same image. So, you pay more for the D300 to get things other than pure image quality. What I would like to see, if anyone can produce it, is the exact same picture taken with an 85mm f/1.4 lens and one with an 85mm f/1.8 lens (or with 50mm lenses). What I am after is to be able to see a realworld example of how the image from the one lens differs from the image taken with the other lens.
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Nikon D700, D300, D5000, NIKON GLASS 85mm F/1.8 D, 105mm f/2.8 Micro AF-S VR, 70-200 AF-S VR f/2.8, 28-300 AF-S VRII,10.5mm Fisheye, 24-70 AF-S f/2.8, TC-20E II AF-S, Sigma 12-24 HSM, Sigma 30mm f/1.4 HSM, Sigma 150-500 OS, 2 SB-600 Speedlights, Manfrotto 190MF3 tripod & 322RC2 ball grip head. - NJ, USA Flickr Photobucket Ok to edit and repost my shots on DPS forums |
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I have the Sigma 50mm f1.4, and gave away my Canon 50mm f1.8...otherwise, I'd go shoot an example for you.
I like to shoot very low f-stops for portraits and photojournalistic style photos...the lower, the better. At f2.0 (where I shoot), the Sigma is much sharper than the Canon. It focuses much faster as well. Most of the time, that's the lens that is on my camera. Here's my advice...if you regularly shoot weddings or other low light situations, spring for the 50mm f1.4. If you don't, the 50mm f1.8 will probably be fine. |
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Quote:
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Nikon D700, D300, D5000, NIKON GLASS 85mm F/1.8 D, 105mm f/2.8 Micro AF-S VR, 70-200 AF-S VR f/2.8, 28-300 AF-S VRII,10.5mm Fisheye, 24-70 AF-S f/2.8, TC-20E II AF-S, Sigma 12-24 HSM, Sigma 30mm f/1.4 HSM, Sigma 150-500 OS, 2 SB-600 Speedlights, Manfrotto 190MF3 tripod & 322RC2 ball grip head. - NJ, USA Flickr Photobucket Ok to edit and repost my shots on DPS forums |
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Here you go.
http://www.smartpict.com/lenstest/Nikon_50_18_VS_50_14/US_test_Nikon_50mm_14_VS_18.php To be honest, I'm really surprised how much difference there actually is. |
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