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I agree, and the market is speaking!! I am happy with where I am with this. It is the ongoing issue of the saturation of the Photography Industry by everyone with a DSLR that I was attempting to solicit opinions. As one of those 'New' Photographers who hasn't any academic photography qualifications or apprenticeships, do I actually ‘fit’ into this group?
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I don't think it really matters what others think or say. If you listen to too many people you tend to question your capabilities. Its what YOU think that really matters at the end of the day.
I mean the "experts" don't always know everything since they once told us that the world was flat - and we believed them! We were told that it was impossible to run a mile in under 4 minutes - and we believed them and Roger Bannister proved them wrong. We have also been told the the Titanic was unsinkable! Go with your insticts - You are the true judge and jury. I'd say go for it!!
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http://www.flickr.com/photos/rachelgingell/ "Do not wait, the time will never be just right. Start where you stand and work with whatever tools you may have at your command, and better tools will be found as you go along" - Napoleon Hill |
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There's a huge difference between what YOU have done and what MOST are doing. You're doing it right: taking the time to learn and experiment, refine and practice and are ready to take the plunge, thats good. The vast majority, however...
I'll explain this with a small anecdote. I work retail in a rather large camera chain (I won't discuss which). We have, within our region, termed the entry-level dSLRs one of two things: Hipster Bling or the Mamarazzi cam. In the first case, these cameras are being bought by high-school and university students with no real affinity for photography: they just want the camera to look cool for their friends. The iPod of cameras, if you will. In the second case, it's the new yuppy mothers looking to document their angel's first everything in nothing more than automatic. In either case, though, it sells cameras. I had a girl come in to see me a few weeks ago. Young: probably no older than 22. Clearly with a bit too much money (Daddy was buying, after all) and totally ignorant. Her first words to me, and i quote, were "I need a real professional camera". That, right there, set her up for failure. We went over the dSLRs, from the entry level up to the D90/50D range. She tried a few out, saying she wanted "really professional looking pictures" and wanting to set up her own photography business/studio. I gave her some suggestions. She ended up buying a D90+18-105, a 50mm f/1.8 and an SB-600. The lot of it came back a week later. She had taken the body and lens out of their boxes and couldnt get one onto the other, got frustrated, and gave up. So much for that dream. The other thing we commonly get at work is people who have bought a D3000 or D5000 come in and get comprehend the A and S modes on their camera. They'd been shooting on auto for a while and wanted to check the other modes and simply get lost. The problem with dSLRs is that they're too simple, and theyre being marketed at the groups that need them the least. People don't NEED an SLR to shoot good pictures. They need to know how to use the P&S cameras they have or need a new P&S. But marketing tells them they need a dSLR, and the entry level models that people are seeing in ads and find affordable are basically just point and shoot cameras with bigger sensors and more complications. It used to be that a dSLR (or film SLR) meant someone was spending a lot of money on their business: a F4 or F5 was several thousand dollars, in much the same way the D700 and D3 are now. People were also happy with the film images they got from their P&S film cameras. Now that digital has brought adaptability down to a lower level, dSLRs can be made smaller, lighter, and cheaper. In the most base levels, anyone with a camera is a photographer. But in reality, the term should be saved for those that treat the medium as an art, a craft, or a job.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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Another bit of free advice is always keep your business ideas and plans close to your chest and only devulge them to people who you know can help or those already doing what you want to achieve successfully.
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http://www.flickr.com/photos/rachelgingell/ "Do not wait, the time will never be just right. Start where you stand and work with whatever tools you may have at your command, and better tools will be found as you go along" - Napoleon Hill |
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What I'm trying to say is, the fact that there are so many ways to interpret the word "photography" is part of what makes it so great.
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flickr Why I Like Photographs "It's more expensive, but it lets me adjust really specific settings that most people don't notice or think about." - Abed |
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i think it boils down to this - some people feel that rather than using a P&S, getting a pricey DSLR and shooting entirely on auto will overnight make them a "pro" who can charge large amounts. or cheap amounts but provide crap quality. and those are the people that are ridiculed.
if one has common sense (as you appear to have), realizes where they are, how far they have come since first picking up a camera, and how far they have yet to go, and prices their work to reflect their skill and get business.... and understands this IS a business and not a flight of fancy... i don't see how anyone can argue with that. though some will, because someone always will :P
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k8et on flickr blogging at www.k8et.com Canon Rebel XTi, kit lens, 50mm 1.8 lens, 430EX II flash Lomography film cameras: Fisheye and Colorsplash |
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