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Totally agree with you! I often wonder if it's best to shoot in colour then convert or shoot straight b&w. I have had conflicting advice on this but think, like you, shooting in b&w would help you compose the shot better.
I started off shooting b&w years ago only because I couldn't develop colour!
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Well, I think that in order to learn composition it would be a must to shoot b&w in camera, because it would allow you to compose without colour interfering. If a certain scene could end up being an awesome pic. you could also take it in colour.
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Last edited by zona5101; 11-01-2009 at 01:22 PM. |
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You might want to pick up Michael Freeman's book "The Photographer's Eye: Composition and Design for Better Digital Photos" (not to be confused with the classic book "The Photographer's Eye" by John Szarkowski). This is not a "how to" book; it's a discussion of the various compositional aspects and how they play into our visual perception. Quote:
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Having earned my notches by shooting full manual on a Nikon FE, black and white film, and then doing my own darkroom work... decades ago, (I can still remember the smell of those Ilford chemicals...mmmm stop bath....) I can faithfully attest that provided the best discipline and education for all that came after!
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Thanks for your comments Doug and photog1107.. Doug, I never really knew about the differences in composition in b&w and colour photography, thanks for pointing that out. I guess then it wouldn't be as useful as I thought it would. I'll try to find that book, I've already heard about it. My idea was to use in camera b&w to help visualize in b&w, but I kinda forgot that with dSLRs you see what the lens sees while composing. |
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Canon 50D: Sigma 10-20mm f/4-5.6 EX DC HSM , Canon EF-S 18-55mm f/3.5-5.6 IS, Photoshop CS5 |
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i'm shooting b/w film ....
prettymuch only for the reason of forcing me to think more carefuly about the image and making it "right"... before pushing the button. also.. b/w film has far better tones than bw digital.. IMHO
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