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The only time I use 4:3 is with my P&S, but only if I'm not cropping since that usually gets a more frequently used ratio.
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Nikon D90 | Sony NEX-3 Nikkor 18-55 | Nikkor 70-300 | Nikkor 50 f/1.4D | Lensbaby 2.0 | Nikkor 85 f/1.8D | Nikkor 105 f/2.8 VR | Sigma 10-20 f/4-5.6 | Nikkor 10.5 f/2.8 Fisheye | Sony 16 f/2.8 | Sony 18-55 | 2xSB600 | Orbis Ring Flash Adapter My Flickr |
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I'd pick the 3:2 as I think it is a more natural aspect ratio for our eyes - we can see wider than we can high. The 4:3 aspect ratio really came about because of TV and computer screens.
I've got a P&S that allows me to select 16:9, 3:2 and 4:3 - I don't think I've taken any photos in 4:3 except to test that it works. Actually, I lie, I used it to take some photos of a whiteboard at a workshop to capture the notes on the board. Both 16:9 (1.78) and 3:2 (1.5) are also closer to the Golden Ratio (1.618...) than 4:3 (1.33). This can make them more pleasing for composition. Last edited by rediguana; 10-15-2008 at 02:54 AM. Reason: added golden raio linkie |
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I've just had an idea that is soooo good.... that somebody else has probably already thunk of it and made piles of money..or lost piles of money.
Somebody should make something like a set of UV-type lens filters that have very faint guides to help photographers compose through the viewfinder for the different ratios. It'd save on cropping and maybe promote better composition. BTW I turned my Rebel inside-out looking for a choose-ration function. Haven't found it yet, but I found the glow-in-the-dark compass and coffeemaker functions. |
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When you stop learning you start dying. I'm here to learn. You? (Its OK to edit and re-post my pictures on DPS) __________________________________________________ _____ <<< - My flickr - >>> |
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Actually I believe medium format film is 4"X5" film, which is why the D3 has the 4:5 option. So 3:2 wasn't the only option back in the film days, but it definitely does linger on from the 35mm days.
I don't know that monitors still typically display at 4:3 any more though. Most monitors and laptops I see sold these days are wide screen format and that appears to be the future. I haven't owned a 4:3 aspect monitor in years. I am not sure that I agree with the idea that the "very nature of pictures take by Digital Cameras.... etc." I think that was true of many point and shoot models where people typically upload them to share sites, email them etc. rather than print them. But 3:2 is still the most common ratio for DSLR cameras. My point and shoot does 4:3 or a Widescreen 16:9, which is most definitely aimed at HDTV and Widescreen monitors. Both my DSLR's are 3:2 aspect however. Canon, Nikon, Sony and other DSLR cameras still use 3:2 tied to the 35mm days as you state. There are some exceptions (Canon 1DS Mark III and Nikon D3), where they have masking for other aspect ratios. I believe Panasonic and Olympus use the four thirds format as a whole. There may be others I am not aware of. But that being said I don't think the DSLR market is currently aimed at the the 4:3 aspect ratio of the older monitors or the 16:9 ratio of HDTV or other widescreen monitors. I think they are still designed primarily for print and consistency with the 35mm aspect ratio that has been in use on SLR's since the 30's. Maybe I am missing the point of what you are trying to suggest. If so I apologize. It is late and I should be in bed ![]() Quote:
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Nikon D700/D90/F100 - 24-70 2.8, 70-200 2.8 VR, 105mm f/2.8G VR Micro, 18-200mm VR, 70-300mm VR, 50mm 1.4, 1.7X TC, Tamron 17-50mm, Sigma 150-500mm, Tokina 12-24mm, SB900/SB-800, Gitzo GT2331 Tripod w/ ball head, Manual Focus - Nikkor 80-200mm f/4, Vivitar 1 70-210mm (Komine) f/2.8, Nikkor-Q 135mm 2.8, Nikkor-H 28mm f/3.5 Last edited by Cuchulainn; 10-15-2008 at 08:06 AM. |
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Cuchulainn: I havent used a 4:3 monitor in ages either. I've had my laptop for a good 3 years now and it's widescreen. To be honest, using a 4:3 monitor feels constricting. Like there isnt enough screen to show what I want.
newPerspective: the nature of digital cameras was to offer a modern alternative to film and the associated pain-in-the-ass business of using it. |
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It varies with the shot. 3:2 (or 2:3) has a good balance - it is quite close to the "golden ratio", long established as a harmonious set of proportions. If I'm producing desktop wallpaper or a background, I'll have 4:3 in mind as that is still the ratio used by the output systems I am used to. Sometimes I will feel that 16:9 works, for a cinematic feel, or 1:1 (square).
To be honest, I rarely stray outside those proportions (I also normally try to crop to a neat pair of dimensions, like 2400x1800... that probably says a lot about me! ). It frustrates me that my D40 outputs images at 3008x2000 - if I decide to edit the image, I will invariably trim off the extra 8 pixels even if the overall framing is fine!Wulf |
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I don't loose any pixels, but I may waste paper or pay extra for prints. It also may require custom framing, but I prefer it to everything being in a "standard format" |
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