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What is rear curtain sync flash? I am putting up my halloween tree after this weekend and I want to make sure I am prepared...
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Pat 5D, 5DMKII | lenses 24-70 2.8L, 50 1.2, 35 2.0 70-200 2.8 II, 15mm - MY WEBSITE Fan me on Facebook! You don't have to be the best, you just have to be better than last week" - Jerry Ghionis |
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Of course you have to post shots of this tree. I've never seen a halloween tree!
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www.imagesbyjeffkennedy.com Known troublemaker. I feel a lot more like I do now than I did a minute ago. |
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Perhaps working with two exposures, same settings, but one with the lights on, and the other with the lights off, then merging the two ? |
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I'm with Jeff and KodiaStar...I've got to see the end result, I've never seen a Halloween tree before.
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Lori Putman flickr ~No one can drive us crazy unless we give them the keys ~~Life isn't about waiting for the storm to pass, it's about learning to dance in the rain! 7D | 300L f/4 IS | 135L | 35L | 100/2.0 | 50/1.4 430 EX, 580 EX II Speedlites |
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its just a black tree - usually with orange lights - and some decorations....
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Pat 5D, 5DMKII | lenses 24-70 2.8L, 50 1.2, 35 2.0 70-200 2.8 II, 15mm - MY WEBSITE Fan me on Facebook! You don't have to be the best, you just have to be better than last week" - Jerry Ghionis |
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Intrigued by this, I reread sections of a book by Lee Frost on Night and Low-Light Photography (an unremarkable book, IMO). Does have nice pictures though.
First, he has a section on cmas lights. For indoor cmas trees in particular, he recommends shooting after dusk and adding a small amount of room light that does not overwhelm the cmas lights. Second, he does have a lot of photos with the star effect you are trying to avoid. He says nothing specifically about avoiding them (in fact, he often enhances them by adding a starburst filter). But studying the images, I am guessing that the star effect is most prominent when the direction of the light points to the sensor. To imagine what I am thinking, think of a streetlamp. If you are the street, the streetlamp throws light in many directions, including the direction of the camera. A light like this seems to have the star effect. Now imagine you are shooting the same street, but you are in a building far enough above the streetlight that the light is only being thrown downward relative to the camera. In the pictures I studied, the streetlight would not seem to generate a star effect, but rather a glowing effect. The problem with cmas (ahem, halloween) lights is that this observation would seem to be somewhat useless. Of course, it might just be incorrect altogether! |
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You need to set up so that the lights on the tree are the brightest relative to ambient or fill light.
If they are only marginally brighter than the ambient light, (i.e. picture taken at dawn/dusk) you should be able to get both details of the tree and the lights bright. If the lights are much brighter than the ambient light(i.e. night/ curtains drawn), you will need to add some light (household/fill flash) to get detail in the tree itself. Your problem is somewhat compounded by the orange color of the lights. With any daylight in the scene the orange lights will seem surprisingly dim to the camera. Using the night/curtains drawn environment and using some regular tungsten household lighting for fill may be the easiest. Tungsten doesn't register as brightly on camera as it does to the eye either. |
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To get the lights looking right, the tree will be underexposed. To get the tree details to show, the lights will be badly blown out. I'd expose for the tree lights to look right, then add suitable amounts of ambient or strobe (on slow sync if not shooting manual) to bring out detail in the tree branches and decorations.
Slow sync tells the camera to fire the flash, but expose as though the flash was off instead of overriding the shutter speed in program or aperture priority modes. I don't think it will make a difference if it's front or rear curtain slow sync since the subject is not moving. Front curtain fires the flash at the start of the exposure, rear fires it just before the shutter closes and is usually preferable for moving subjects. This is from my (admittedly hazy!) memory of what I did before, I'll have to dig through my photos of Christmas Past to see how I went about doing this and what ended up looking best, I think I tried nearly every combination of settings I could think of! ![]() Looking forward to seeing this Halloween Tree! I've heard of something like it before, there's a couple in this area who keep their tree up year-round, and redecorate it appropriately for whatever the season is. The local paper had an article about them earlier in the year. Neat idea.
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Modified Olympus C4000Z, Pentax AF500FTZ and Minolta 1800AF flashes. Flickr. Website. Blog. Twitter. I am not The Stig. |
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