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Yeah, I had an informal practice shoot this weekend, too, and fell a little bit short on my objective. It's a little disappointing, but at least I didn't have expectations that it would be brilliant due to me trying to practice new techniques I hadn't used before.
We do learn best from our mistakes, so don't fret too much. You know you do good work and have set a pretty good high standard that you are aiming to reach. Just don't aim for perfection all the time, otherwise, I don't think we'll ever get there. Now that you know the limitations of your little studio and gears, you can work with that. Now you know what you can and can't do with your limited space. I guess you can make it up to the family by shooting outdoors and having the help of ambient light to get proper exposure plus your flashes and umbrellas? Despite the frustrating result, you know that's not always going to be the case. When you learn to recognise your mistakes, then you know you're on the road to being better! Chin up, Andy You want some vodka? I have a few bottles...
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One thing that may help in these situations is to tether your camera to Lightroom (or another tether program) on your laptop as you shoot. That way you can make lighting & pose adjustments on the fly.
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Nikon D700, MB-D10 grip, Nikon AF-s 16-35 f/4 VRll, Nikon AF-s 28-70mm f/2.8D ED, Nikon AF 80-200 f/2.8D ED, Nikon AF-s Micro 105 f/2.8 G ED VR. My flickr My500px banphotography.com |
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![]() I think the results will look "good" to the people involved and tbh I got maybe 3 really great shots along with a dozen decent ones so I dont think it's a total disaster... however like you said I set myself high standards and if I fail to reach them it's disappointing. I will definately learn from this experience and maybe not try to be too clever with the lighting set up for the home studio in future... it has it's limitations and I now fully understand what they are... next time I'll lower the strobes, get a good even exposure and worry about the backdrop later. After all its far easier to remove a backdrop than sort out bad lighting! |
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However I will work something out as like you said it's a great way to view the lighting on the fly which would have saved me in this situation! |
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Maybe it's time to invest in a laptop, or move the desktop. And buy another flash.
If you want good results you need to invest in your gear.
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A photo needs to start and finish in your imagination, if it passes through your camera in between, that's cool, if it doesn't, that's cool also. Flickriver Portfolio 500px Flickr NSFW |
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Camera Zoom Lens Yongnou Flash Gun Tripod Softbox 2nd Yongnou Flash Gun - died and awaiting return 2 x Studio Light Stands Flash Umbrella Wireless Flash Triggers 16gb Flash Memory Card Studio Backdrop Support Stand White Muslin Studio Backdrop Eneloop Rechargable Batteries x 16 + charger Dell 2209WA LCD Monitor f/1.4 5mm Prime lens Tamron A16 SP AF17-50mm zoom lens Nissin D1866 Mark ii speedlight Canon LP-E5 Battery High Speed 16gb SD Memory Card Canon Laserjet Printer I just dont think a laptop or another flash is an option at the moment. |
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I haven't done it myself, but I believe most current DSLR's can be connected directly to a monitor while shooting via HDMI cable. While this won't give you simultaneous transfer/edit capability like "tethered" does it would allow you to see the image much larger for critical evaluation....
I *think* you have to be in "live view" to see it before taking a picture, otherwise you will only see the image when "played back". Basically, attaching a monitor via HDMI tells the camera to use the external screen instead of the camera's built in screen. As I said, I haven't done it myself but it might be worth a try. Of course, the specific HDMI cable required doesn't come with the camera....
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Steve the Photographic Academy.com My Portfolio, My Flickr, My Blog D4, D7000, G10, 1030SW and a bunch of other stuff.... |
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I'd be happy to try and see what I can do with them... I've encountered similar problems before when I was trying out green screen backdrops... It takes some time, but they might be save-able.
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Now with VIDEO ![]() Tell Liz to GET LOST! What a Trip... Getting Lost on America's Back Roads A 10,000 mile, 100 day journey photographing America's back roads and lost highways... |
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