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I don't think it's released just yet, but the RRP is around $300 I believe, which isn't too bad. It's not particularly high end, but a cool concept.
Of course it just means that morons can take even worse pictures and have the tech fix it for them even more now...
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Art: www.jamieorourke.co.uk Work: www.jamieorourkephotography.co.uk Work: Photo booth Hire in the West Midlands, and Wales Sony a200 Sony a580, Canon 500D, Photobooth
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I think it's currently a solution in search of a problem. As a tech demo, it's interesting, and I suspect there might be some problem for which light-field photography is the right answer, but I don't see one right now.
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Interesting idea.. I've read a lot about this before. It doesn't give completely unlimited focus depth, it creates a picture cube instead of square and I think the first photos it produces will only be around 1mpix, but it does present some interesting possibilites other than fixing badly focused photos in PP.
I think the most interesting application is going to be in creating holographic images. Since it records a depth of sharp focus, it is possible to layer those focal planes in such a way that you can have a 3 dimentional image. Still a long way to go, but interesting idea for a niche market for the moment. Autofocus is still better.
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A photo needs to start and finish in your imagination, if it passes through your camera in between, that's cool, if it doesn't, that's cool also. Flickriver Portfolio 500px Flickr NSFW |
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I may be wrong, but it seems to me that the images on their website only work as a flash object loaded with several jpegs of the same scene using different focal points.
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Nikon D700, MB-D10 grip, Nikon AF-s 16-35 f/4 VRll, Nikon AF-s 28-70mm f/2.8D ED, Nikon AF 80-200 f/2.8D ED, Nikon AF-s Micro 105 f/2.8 G ED VR. My flickr My500px banphotography.com |
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The website also says that the camera + software only works on mac right now, so either way I'm waiting for reviews before potentially buying this. I do like the design, though. In a digital world, there's no reason to have a camera shaped to move film from one spool to another. |
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