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a quick read for those that are interested in getting a better understanding of metering. An article from the New York Institute of Photography
New York Institute of Photography - In-Camera Metering
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Vince "...the law of unintended consequences, sometimes, you get a truly memorable photograph" Gear: Canon G2, Canon 20D, Nikon D300...bunch of lenses http://www.flickr.com/photos/20127329@N06/ www.montalbanophotography.com |
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Thanx for sharing, just another aspect I tend to struggle with!
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Nikon D7000:18-105mm VR Kit, Nikkor 35-70mm 2.8AF, Nikkor 50mm f/1.8d AF, Sigma 150-500mm f/5-6.3 AF, SB600 Web Design of Palm Beach Photo Blog Become a Fan on Facebook |
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Well, hoped it helped a little Buddha...maybe it's one of those things that you should go back and read it from time to time
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Vince "...the law of unintended consequences, sometimes, you get a truly memorable photograph" Gear: Canon G2, Canon 20D, Nikon D300...bunch of lenses http://www.flickr.com/photos/20127329@N06/ www.montalbanophotography.com |
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Another who says "thanks for the post."
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Flickr stream. http://www.flickr.com/photos/34094515@N00/ 500pics stream http://500px.com/Richard_Taylor |
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Quote:
I shoot manual, so I primarily use spot metering, put the "dot" on what I want properly exposed, set my exposure and then compose from there. If you are in auto or one of the priority modes, you would need to use the exposure lock. Meter on what you want properly exposed, lock the exposure then recompose and focus before taking the image. If you do not lock the exposure, it will change the reading as you move around scene composing.
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Scott Last edited by scootermcq; 10-22-2011 at 12:51 PM. Reason: typo |
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This shot of my wife is from a series here in an earlier post about what to do on a drizzly day. She happened to be leaning against a grey stone wall with similar colors to the bridge off in the distance. I figured it was a neutral color, probably close to 18% grey and set my exposure for this series of shots off the wall she was leaning against. (more of the series can be seen on my flickr) People will often do the same by metering, and setting the exposure off the grass or the back of their hand. It's a great trick, and often yields good results, especially in tricky lighting situations.
![]() My wife and photography partner by vmontalbano, on Flickr
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Vince "...the law of unintended consequences, sometimes, you get a truly memorable photograph" Gear: Canon G2, Canon 20D, Nikon D300...bunch of lenses http://www.flickr.com/photos/20127329@N06/ www.montalbanophotography.com |
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Huh. The article states that "light meters are color-blind." Nikon's metering systems have been full-color for some time, and Canon started switching to 2-color metering systems a year or so ago.
The description of Evaluative metering (I wonder why they chose the Canon term) is a bit on the generic side. In the case of Canon, Evaluative metering consists of a spot or partial metering (depending on the camera) at the locked AF point (or one of the locked AF points, or the center of the frame in manual focus), followed by an automatic exposure compensation that's calculated from a weighted analysis of the data from the entire metering matrix. What really matters though, is this: Evaluative metering is unpredictable. If you're trying to control your exposure, don't use Evaluative metering because it'll override your efforts. If you don't have time to calculate your exposure, let Evaluative metering make its best guess. |
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