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You wanna talk crowded? I was at Comic-Con.
Be fearless. Direct your subjects. Drag them over to less-crowded corners with good backgrounds. And bring some off-camera flash. That's what I did with a 9" softbox. Results weren't bad. If you can force a friend to be your VALS (voice-activated light stand), you'd probably do even better.
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list Last edited by inkista; 08-09-2011 at 04:49 AM. |
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Hi, Chris - I've never shot an event like the one you're describing, so I'm just going off my general experience.
Have you thought about a Tokina 11-16 f.2.8? Sure it's not a f1.8, but it is reasonably fast, quite wide and a very nice lens. I have one and love it. Cost is about $659 at B&H. And a constant 2.8 might work well with . . . . high ISO. I have a D90 (which I understand has pretty much the same sensor as your D5100 - yours may even be better). But as long as I don't underexpose the photo, I can get good get results at ISO 3200: ![]() and even at 6400 (as long as there aren't too many blacks and other dark colors in the photo): ![]() No noise reduciton was done on either of these photos. So, maybe high ISO and f 2.8 would be a solution? Any chance you can experiment in lighiting conditions similar to what you'll get at Dragon Con with the 35mm prime (or other fast lens), but set the aperture to 2.8? Sounds like a fun challenge. Good luck, and please post some photos once you're done.
Last edited by Chip; 08-09-2011 at 02:04 PM. |
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Thanks for the replies! I'm on my phone at work so it's hard to see any of this with great detail, but I'm looking forward to checking your photos out when I get home. I could put up a few pics from years past to try to give a better idea of the conditions. From what I can see on here your higher ISO pics look pretty clean.
One of these days I'll make it out to Comic Con, haha. My tiny little 40k attendee Con will have to do until then! |
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Hah! If I could afford a $3,700 lens I'd jump right on that
![]() Thanks again for the replies everybody! @Chip, the noise on those pictures is quite impressive indeed, especially considering the ISOs you were at. Anything taken at 6.4k with my kit lens looks like you're viewing it through wax paper, haha. Not that bad obviously, but still, it gives me hope! Here are a few shots from D*C last year if you want to get an idea of what it's like there, taken with my old point and shoot. It did decent considering, but I can't wait to see how the Nikon does! |
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no other choice but to bump up ISO or have a off hand flash
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Hi, Chris -
About noise and high ISO, the lens shouldn't make a difference. The biggest things that influence noise are the ISO setting, the sensor and the exposure of the photo. So, if you have to increase the ISO, and if you're stuck with the sensor in your D5100, then the only variable left is exposure. By overexposing the photo (in camera) slightly - say maybe 1/3 or 2/3 of a stop - or by at least not underexposing the photo, the noise should be minimized. This holds true regardless of the lens you're using. For any given aperture and ISO, overexposing means you'll need a longer shutter speed - which can create its own set of problems. |
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Thanks for that Chip, but I guess that exposed a fundamental flaw in my understanding of how lens speed works. I had always understood that a lens with a large aperture (small f number) was called a fast lens because it took in more light which would allow you to reduce exposure time while maintaining the same ISO. I always looked at it like a triangle, one side has to give if you move another. ISO up, either shutter speed quickens or aperature shrinks to maintain the same exposure. Guess I have some re-educating to do...haha.
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Oh! Nevermind, I see where you're coming from now. Yeah, the reason I was looking for a large aperture was so I could still keep low ISOs in low light. I realize I'd still have to keep the shutter open longer, but I've got a pretty steady hand and a tripod if need be. Thanks, haha, sorry for the confusion!
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