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last night I had a lesson on the importance of a backup equipment for the professional photographer.
I volunteered to shoot this charity benefit for the association of the wounded athletes of the israeli army which some of them will participate in the Paralympic Games in London on 2012. needless to say, meeting all of those amazing people who didn't give up and keep working and breaking records, well.. it was just inspirational and gave me some stuff to think about. Anyway... after an hour or so, my canon 580 EX II flash unit lost touch with reality and basically lost connection with my camera. it still worked on it's own, but pressing the shutter button didn't fire the flash. lucky me, I had my 430EX with me in my bag so after a few minutes of trying to fix the 580EX.. I gave up and replaced it with the 430EX.. not so perfect but it did the job it was suppose to. I don't want to imagine what I would have done if I didn't have backup equipment! so this goes to all the professional photographers out there - don't even think of going on a job without a backup set to keep you working!
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canon 40D | canon 5D MK II | 24-105mm f/4 IS USM | 70-200mm f/4 IS USM | 50mm f/1.8 II | 85mm f/1.8 USM | lensbaby composer www.oriram.co.il | facebook Last edited by MrJones; 07-20-2011 at 12:34 PM. |
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I once smacked a cam on the ground from about 5 ft when on a senior port shoot. It was a rolling shutter prosumer cam with a metal body so it still worked - lucky me. Alas it made it out with a smashed LCD. I was lucky to be able to finish the shoot with the view finder.
- Yes I was shooting from the LCD - so sue meThis taught me two things. 1. NEVER hoist a camera around on a tripod. I forgot cheap tripods are cheap for a reason. ![]() 2. If at all possible have a back up of everything you can possibly afford. And save for the ones you cant afford.
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Heavily medicated for your protection Flickriver http://www.photoblog.com/thomasneubauer/ http://thomasneubauer.com |
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Yip, you always need back up equipmen.t I knocked my tripod over during a wedding, smashing my camera and flash into bits its amazing how manu pieces a bronica can break up into.
So I got my back up camera out and carried on. |
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with all of those horror stories.. I still don't get how people go out and work without backups.
it's one thing when the equipment fails on landscape shoot or even portrait shoots but if it fails at a wedding or some other event you were hired to shoot, you might as well close your business cause you're about to get the worse reputation and a very big lawsuit
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canon 40D | canon 5D MK II | 24-105mm f/4 IS USM | 70-200mm f/4 IS USM | 50mm f/1.8 II | 85mm f/1.8 USM | lensbaby composer www.oriram.co.il | facebook |
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If if you are a amateur it still pays to have backups any time you give a commitment to take photographs for somebody.
Even for personal stuff, like one off vacations, my wife & I still take enough gear so that if a lens/body/charger fails we can still keep on shooting.
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Flickr stream. http://www.flickr.com/photos/34094515@N00/ 500pics stream http://500px.com/Richard_Taylor |
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I was shooting my first real wedding. Someone walked into my lightstand. the flash hit the tile floor. It still works but does not lock onto a hot shoe anymore. Glad I had a spare!
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Pentax K7, K 2000 with lots of lenses - old and new; Slik Pro 340 EZ tripod with an old Slik single action panhead; Bower autofocus flash; Vivitar 285HV Zoom flash; Pentax remote. Wireless triggers and shoot through umbrellas and stands. www.patriciahorwell.com My Flickr |
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Quote:
My wife always ask, why do you need so many camera bodies and flashes. DUHHHHHHH!
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url:www.jimbryantphotography.com http://pa.photoshelter.com/c/jimbryant http://jimbryantphotography.blogspot.com/ (3) EOS1D MKIIs', (1) EOS1Ds MKII, 14mmf2.8, 16-35mmf2.8, 28-70mmf2.8, 70-200mm f2.8, 300mm f2.8 and a 400mmf2.8. |
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