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It would be shooting multiples of a scene to obtain the necessary tonal values and subsequently merging them together in post. Very much like HDR.
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Lori Putman flickr ~No one can drive us crazy unless we give them the keys ~~Life isn't about waiting for the storm to pass, it's about learning to dance in the rain! 7D | 300L f/4 IS | 135L | 35L | 100/2.0 | 50/1.4 430 EX, 580 EX II Speedlites |
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Here ya go.....tons of info here: using the zone system in digital photography - Google Search
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url:www.jimbryantphotography.com http://pa.photoshelter.com/c/jimbryant http://jimbryantphotography.blogspot.com/ (3) EOS1D MKIIs', (1) EOS1Ds MKII, 14mmf2.8, 16-35mmf2.8, 28-70mmf2.8, 70-200mm f2.8, 300mm f2.8 and a 400mmf2.8. |
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Thank you guys for your input. If I understood correctly, The dynamic range is smaller in digital photography than in film photography. Instead of exposing for the shadows, one has to expose for the highlights. Hope I got it right. Greatly appreciated.
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I wasn't born to follow, nor was I born to lead; I was merely born to chose-- and choose...I did. Last edited by Tito87; 06-24-2011 at 10:01 PM. |
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There's one other very important thing that's missing from alot of information about using the zone system in digital - The location of mid-grey is often not in the middle of the camera's range. With many of the cameras I use - I find that there's less "space" between the mid tones and the highlights than the midtones and the shadows.
(for example, 5 stops from black to midgrey and 3 from midgrey to white. instead of 4 and 4. There's alot of reasons for this, for the most part it has to do with tone curves and definitions of mid grey etc... ) If you have a grey card - and meter off of it, and put your camera into black and white mode - and do a set of bracketed exposures at about half a stop, you should be able to get a rough picture of how much dynamic range your camera has. Knowing the dynamic range you can capture is important for applying the zone system to digital photography. All in all, the process applies mostly the same - expose -> develop -> print. Develop merely becomes processing, but because digital is a "positive" process some things are "reversed". - For example, in film, it was expose for the shadows, develop for the highlights - now it's expose for the highlights develop for the shadows. You'll find the Curves, Levels, Exposure and Shadows/Highlights tools to be what you use in processing move tones about the zones. Raw conversion is essential because it gives you a curves tool with the most data to work from. |
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