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It's just bad photography...
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wHy sO sErIoUs? |
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And, FYI, I do NOT love the moderation team - they love ME!
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wHy sO sErIoUs? |
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Yes, if the photographer meters for the face, the sky ends up blown. They could meter for the sky, then use a flash/reflector to get light back into the subject.
What people probably like is that the subject is clearly defined since they're not competing with any detail in the sky/background. Nothing says you can't or shouldn't try to get both if possible if that suits your style/vision for the image. |
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^^ +1
Be better than the rest, and learn from their mistakes... which it looks like you already are
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flickr!! Canon 40D, Tamron 28-70mm f2.8, Canon 17-85mm USM, Canon 50mm f1.8 mkI, a WaCk load of m42 lenses with EOS adapter |
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Thank You! I thought I was the only one going "what is so great about that?". I also don't get people that post shots in a criitque forum(not here on flickr for my local photo club) and they are horrible and people still say"great shot,good capture etc" the whole point of getting critiques is to improve your work.
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Ok,..so it's not just me thats noticed this?
I don't understand the whole,..... Place the sun behind my subject and get a major camera flare from behind their head,...shots either. And it almost seems to be a trend lately, to overexpose the person, and "highlight" their eyes. Those shots hurt my eyes,....
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Interestingly, if you look at the Mona Lisa, there's no detail in the sky, and it almost looks like Da Vinci has deliberately blown out the sky.
Is is it really that important not to blow out the sky? This is a portrait not a Landscape photo. When you take a photo in a studio, you have the option of what back drop to use, so you choose something reasonably plain so as not to compete with the subject, Outdoors, you have all sorts of distracting things behind the subject to compete with them, so you use a shallow DoF, and this brings the attention back to the subject. So what's the problem with blowing the highlights, there's no detail there anyway? All you do then is create a high key photo. Life's depressing enough when you're 70, your movement's restricted, you can't do the things you used to be able to do, so you really won't sell portraits to seniors if all you do is create moody low key photos. I'm not a portrait photographer, but I can see the thought process behind this.. It's not bad photography, it's just what the client wants.
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A photo needs to start and finish in your imagination, if it passes through your camera in between, that's cool, if it doesn't, that's cool also. Flickriver Portfolio 500px Flickr NSFW |
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Yeah, the Seniors bit has me a bit worried as well.
My camera is not ageist, it stuffs up anyone. Cheers, John W
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John Sydney Australia Canon 7D, Canon EOS 450D, Canon EFS 18-55, Canon EF 100-300 f5.6, Canon EF 50 f1.8 11; Canon Speedlite 430 EX11, Fuji FinePix F40 and now with new and improved Canon EF-S 18-135mm f/3.5-5.6 IS, Sigma 18-200mm F3.5-6.3 DC and Mamiya ZE-2 35-70mm F3.5-4.5 Macro
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