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I've not often thought of color in a 'it could totally change the look I'm after' kind of way... I've just finished reading the new eBook dPS has released, written by awesome travel photographer Mitchell Kanashkevich (You will have seen his images around) and came across this gem which got me thinking...
Any time we draw attention to any one color and thus an area or element in the photograph we actually begin to communicate from within the frame. We take the first steps towards telling stories and evoking feelings. ![]() Eyes: around the pumpkin, straight to the woman... And I thought, yes, as soon as I saw the pumpkin and then as my eyes progressed as the image dictated, the woman, I knew what was going on. If you purchase the eBook, I'd love to hear your thoughts... there's also a second eBook bundled in (Seeing the light, also by Mitchell) which has made me think about my lighting... It's nice when you get a bit of a photographic SLAP that makes you think differently. Sime
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That's interesting Sime
. I haven't read the book but what really draws me into this photo is the bright blue jumper she is wearing.
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http://www.flickr.com/photos/rachelgingell/ "Do not wait, the time will never be just right. Start where you stand and work with whatever tools you may have at your command, and better tools will be found as you go along" - Napoleon Hill |
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The second book (chucked in with the first book) is damn good! many lighting diagrams to be had (I've asked the author if I can post one example here)
![]() It's basics, it's very helpful for me, that's for sure... you get to the point where you think "Oh, yeah I know this stuff..." anyway, thought it was cool and that I'd share... S
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Nice plug.
![]() In the first image my eye actually moves in relation to brightness....The lower lt pumpkins (hottest/most vibrant) up to the wall (shadow/flash/face) then the blue. (the upper rt negative area kind of gets ignored). But you're right, I've never really considered changing colors for feel...that's more a "studio thing". And you are also right about "Oh, yeah I know this stuff"...Often I don't pay enough attention to "this stuff" when it really could help the photograph, and I know better.
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Steve the Photographic Academy.com My Portfolio, My Flickr, My Blog D4, D7000, G10, 1030SW and a bunch of other stuff.... |
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I had to pay for my copy :-) (one way or another!!)
It's true... must be less complacent.
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Sime,
Have not purchased the new e-book but several months ago purchased and have read "Seeing the Light". I found the first part of the book interesting but because my off camera flash equipment is marginal the last few chapters on light reflection and natural light were more interesting to me and more appropriate for me to practice with the gear that I own. I liked the writing and photos of the author, Mitchell Kanashkevich, and will most likely purchase his new book.
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--------------------------- David Gear: Nikon D70 & D90, Nikkor 18-70 f3.5-4.5, Nikkor 70-300 f4-5.6 G ED VR, Nikkor 18-105 f3.5-4.6 VR, Nikon 50mm f1.4 My Flickr |
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Sime: Are there any plans on making the eBook less, well, "e"?
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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