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So I'm umming and arring about getting a toy lens.. I'm actually rather more interested in using the lens for it's side effect of keeping verticals in focus without distortion by keeping the plane of focus flat and moving the lens. Or at least that's what I'm telling myself, but I imagine I'll probably end up playing with it.
So, what I'd like to know, is the Muse any good? Is the composer or Control Freak better? THAT much better? (They're almost twice the price) Can you post one of your photos (cos I know you lot like show and tell) so I can see. Mercy Buckets.
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A photo needs to start and finish in your imagination, if it passes through your camera in between, that's cool, if it doesn't, that's cool also. Flickriver Portfolio 500px Flickr NSFW |
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I don't have the Muse, but I have it's predecessor, the Lensbaby 2.0 which works exactly the same as the Muse. I can honestly say "things in focus" has never been one of the main effects I've achieved with it, more of a softness sort of thing.
![]() That said I haven't tried it with architecture like that, more for distortion.
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Nikon D90 | Sony NEX-3 Nikkor 18-55 | Nikkor 70-300 | Nikkor 50 f/1.4D | Lensbaby 2.0 | Nikkor 85 f/1.8D | Nikkor 105 f/2.8 VR | Sigma 10-20 f/4-5.6 | Nikkor 10.5 f/2.8 Fisheye | Sony 16 f/2.8 | Sony 18-55 | 2xSB600 | Orbis Ring Flash Adapter My Flickr |
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Get one. they're fun. I have the muse... like you, i just got it as a toy, but have used it on paid jobs too. The thing i liek about the muse is that the ribbed bellows is unpredictable, so for me it was actually a plus.
One thing I would recommend is to get the double glass optic. originally i got the plastic, and it gave a nice diffuse effect, but witht he selective focus and the softening, it was too much for me sometimes... so i got the glass optic which is surprisingly sharp. now i have both, but i'd say get the glass first and if you want to be more creative, get the plastic afterwards... Last edited by Niresangwa; 03-02-2011 at 05:52 AM. |
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