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.... That folks who designate themselves as "natural light photographer"(s) are typically the ones who can't use a flash or are too scared to try and make it work properly or can't find the little red light that makes the flashy thingy go pop-pop!
Discuss. ~Eric |
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I've never declared myself a "natural light" photographer per se, but I think I would definitely come in the category of not knowing how to use flash equipment properly.
I do have an excuse and a (almost) valid reason though. ![]() The excuse would be that I just can't afford a decent flash or strobist equipment at the moment. ![]() The (almost) valid reason would be that I take note of all the posters with far greater knowledge than me on here who say you should really learn and be totally comfortable with controlling natural light before you start to try and master artificial light. I'm still learning how to use natural light let alone control it.
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Canon EOS 500D, Canon EFS-18-55mm f/3.5-5.6 IS, Canon EF 50mm f/1.8 II, Sigma 70-200mm F2.8 EX DG APO Macro HSM II, Vertex tripod, LowePro Flipside 300 |
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Quote:
Love it!
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Lori Putman flickr ~No one can drive us crazy unless we give them the keys ~~Life isn't about waiting for the storm to pass, it's about learning to dance in the rain! 7D | 300L f/4 IS | 135L | 35L | 100/2.0 | 50/1.4 430 EX, 580 EX II Speedlites |
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I love using flash, but then again, I'm using it in a way which is flattering to my subjects (i.e. bouncing of walls, using a bounce card, countering by exposing for the background etc).
I also love natural light. That being said, I have no studio or big expensive lighting gear so flash and natural light is all I've got to work with. |
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To be fair, chasing (and finding) great natural light is great fun. Artificial lights can be a chore.
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JamieDePould.com + OneYearPhoto.com Nikon D300, D700, Sony NEX5n Zeiss 2/25; 1.4/50; 1.4/85 Please read the rules before posting a critique thread. Rules here. |
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I have no dog in this fight. I'm just a P&S shooter for now until I can get the Nikon I've had my eye on. Max opened the door for discussion, so I'm discussing.
![]() I suppose if changing light puts you in a situation where you're inspired by the look of the natural light but need more time, you could setup the strobes to give yourself the leeway you need to get the shot. |
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Does it really matter. In order to be a true professional, you gotta be able to use both light sources well, individually or for the most part together.
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url:www.jimbryantphotography.com http://pa.photoshelter.com/c/jimbryant http://jimbryantphotography.blogspot.com/ (3) EOS1D MKIIs', (1) EOS1Ds MKII, 14mmf2.8, 16-35mmf2.8, 28-70mmf2.8, 70-200mm f2.8, 300mm f2.8 and a 400mmf2.8. |
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