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I've been greatly interested in HDR for some time now and after a brief period of experimenting with the "radioactive" look, I have now settled into a "realistic" approach. When I shoot a scene now, I'm making as many exposures as necessary to get details in all areas. It's affected the way I view a scene whether I intend to photograph it or not.
I understand that film has a greater dynamic range than digital sensors, but it still doesn't come close to the human eye. Yet, I watch many hollywood movies, shot outdoors, that have an incredible dynamic range. And I know that on a set, whether indoors or outdoors, they use a huge amount of artificial light (and modifiers) to control the scene. But how do they do that on a wide vista type of scene where everything in sight is exposed appropriately - i.e. details in shadow, midrange and highlight? Curious minds want to know.
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Chuck Canon 50D / 17-85 f4-5.6 / 24-105 f/4L (many more on the wish list), Nikon Coolpix L3 (always in my pocket), many other film cameras of various sizes ••flickr! |
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Well, one part of it was dynamic range, one part was exposure latitude, and another part was filters: They usually used very faint grad NDs for skies. That, coupled with all the right reflectors and lights, and you were set.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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It's green screen work, mostly...
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wHy sO sErIoUs? |
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Quote:
“Everyone” seems to like that look. The "real" world is so dull, pimply and wrinkly by comparison.
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