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I can't seem to see a difference when I open the files in Lightroom, at least initially, I'm guessing the main strength is in certain types of post-processing.
What types of post-processing would benefit most from RAW, and under which circumstances would a photo be taken to require such post-processing? |
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Raw is an un-compressed format. Meaning unlike, JPEG, ti doesn't through out some data to make the file size smaller. It also isn't affected by white balance so you could set one in PP
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Jon ![]() FLICKR If you don't know where you're going, any road will get you there. D3100, Nikon N60, Canon Powershot, 28-803.5-5.6 D, Sigma 70-300 4-5.6 Macro |
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All types of processing. The great thing about RAW is that you are provided the sensor data to turn into whatever image you want (and thus, a JPEG). With JPEG, you're letting the camera do the work. Sure you can shoot great photos in JPEG, but you'd be hard pressed to get great results trying to change it too much. With RAW, you start from scratch and generate the image you want.
As soon as I switched to RAW I immediately felt so much more in control of how I was developing my photos, but in no way did it hinder me. The only thing that is now required is to import and quickly process the photos. Another difference with developing RAW files over JPEG is that you get orders of magnitude more accurate data to work with when processing. JPEGs are typically only 16.7 million colours, each component of which has 256 possible values. In 14-bit RAW (on many higher end DSLRs), your "pixels", whilst not stored linearly allow 16,384 possible values of intensity. For an entire RGB pixel that's 4,398,046,511,104 possible colours. Keep in mind that RAW sensor data is typically not stored as red, green, blue pixels and a tone curve has not been applied. Here's an article you might want to read: http://mansurovs.com/raw-vs-jpeg Last edited by nickbedford; 11-01-2010 at 03:20 AM. |
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Try this.
Select the white balance "tungsten" setting. Go outside in the daytime, and take a picture of someone, one in RAW, another in JPEG. Bring them both into Lightroom, and fix the white balance--particularly in terms of getting the skin tones correct. Then put the camera into B&W mode, with a red filter on it. Again, shoot a picture of someone in RAW, and another in JPEG. Go into Lightroom, and try to remove the red filter, and make it as if you shot with a green filter instead. You'll see why RAW is better in some situations.
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list |
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Thank you all for the replies but they're all rather standard and cookie cutter. Basic explanations as well as a bunch of data no one really remembers accurately.
What I really want to know what types of pictures would benefit most from RAW, as compared to being only a slight difference only a blown up picture or a professional would care about. Say throughout the day you have one memory card that can shoot 100 JPEGS and 10 RAW photos, when would you shoot the RAW photos? Do you see an HDR opportunity? Is it useful for long exposures? A colorful scene? A landscape? A portrait? A dark area? With a tripod? During the golden hour? |
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Mate,
It appears that maybe at this stage of your photography development, you should just stick to jpeg. Whether its RAW or jpeg or what ever, it makes no difference to the type of photo you wish to take. All digital cameras take images in RAW. It is only then that the little computer in the camera processes the file into a jpeg image. This jpeg image is the cameras interpretation of the scene you have exposed it to. By taking a photo in RAW, just means that you take the file that the camera has made and you can process or modify it yourself in say Lighroom. So if YOU wish to control the PROCESSING of the picture, use RAW or if you want to allow the camera to process for you, use jpeg. Happy snapping. Cheers John W
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John Sydney Australia Canon 7D, Canon EOS 450D, Canon EFS 18-55, Canon EF 100-300 f5.6, Canon EF 50 f1.8 11; Canon Speedlite 430 EX11, Fuji FinePix F40 and now with new and improved Canon EF-S 18-135mm f/3.5-5.6 IS, Sigma 18-200mm F3.5-6.3 DC and Mamiya ZE-2 35-70mm F3.5-4.5 Macro
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The most honest answer you're going to find:
RAW has the greatest advantage over JPEGs when you make a mistake or change your mind after the fact. Depending on the camera and type of mistake, RAW can let you adjust white balance significantly, push and pull exposures much farther, as well as selectively develop portions of pictures separately.
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But Mom, Pentax IS rebellious Pentax K-7, K20D Pentax SMCP-FA 35mm f/2.0 AL -- Pentax SMC 50mm f/1.7 -- Pentax DA 50-200mm f/4-5.6 ED -- Sigma 28-70mm f/2.8 EX DG IF Aspherical -- Pentax DA 18-55mm f/3.5-5.6 WR |
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Quote:
If you have the software to process it and can be bothered to learn it, shoot RAW.
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Seeker of the Peace, Part-time Chandelier Cleaner, a Legend in his own Time, Oppressor of Champions, Soldier of Fortune, World Traveller, Bon Vivant, Defender of Reason, All-round Good Guy, Casual Hero, Philosopher. Equations Solved, Revolutions Quelled, Banquets Organised, Governments Run, Test Rockets Flown, Bears Wrestled, Photos Taken.
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For most of us who shot film, RAW is like having a negative, while JPEG is like having a print. What you can do in producing a final image (print) is pretty different. That doesn't mean JPEG is useless, or that you can't manipulate it, but you're much more limited in what you can do. If you nail exactly what you want in camera every time, then JPEG will be fine for you. Most of us don't manage to do that, especially when we get more experienced with post-processing and realize how much more you can enhance a photo by tweaking it in post.
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list Last edited by inkista; 11-01-2010 at 06:56 PM. |
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