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I see many posts with questions about the Triangle, or statements from individuals to the effect of "it's so hard to understand".......
I thought of a way to explain it for individuals who think "visually" (most "artistic types"). Visualize 3 glasses 1/2 full of water. One is labeled ISO, one is Labeled aperture, and the 3rd is labeled shutter speed. The exposure equals the total quantity of water contained by all three glasses and the exposure (correct exposure) must always remain the same. You can pour from any glass into another, or from two into the third. When a glass is either full or empty you can no longer add/take from that glass. (i.e. you run out of aperture for a given lens) Now all you need to know is what number = "more" (fuller). smaller aperture number = more (fuller) smaller shutter speed number = more (fuller) larger ISO number = more (fuller) If "visualizing" doesn't work for you and you are a more "hands on" type...fill three glasses 1/2 full of water and play with it.... It works for me and I hope it works for you
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Steve My Blog My Portfolio My Flickr D4, D7000, G10, 1030SW and a bunch of other stuff.... Last edited by sk66; 07-08-2010 at 01:42 AM. |
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very good explaination
![]() i initially thought "why not 1/3rd full" ....but you cant use only one parameter for the exposure IE. pouring it all into one glass.. so this is clearly well thought out ![]() well done
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I really didn't think it out that well, but it works for the way I think... Having an "impression of you", I'm sure you spent more than a few moments considering it and I'm very pleased with your response!
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Steve My Blog My Portfolio My Flickr D4, D7000, G10, 1030SW and a bunch of other stuff.... Last edited by sk66; 07-08-2010 at 03:25 AM. |
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I like this... It really demonstrates the key idea of how one setting affects the others.
It would be interesting if there were a way to work in the amount of ambient light. For example, the more (total) water there is, the darker the scene? That way, in a dim room, when you push the aperture to "full" (open), there's still a lot of water left over that must still be used.
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David Clark Photography, project 365 photo blog, flickr. It is OK to edit and repost my photos on the DPS forums only. |
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But if we had excess "water" we could implement ND's to absorb it, like a paper towel when a glass is overfilled.... If there was not enough to fill each half full (or equivilent balance) we would need to add more "water" (i.e. flash)
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Steve My Blog My Portfolio My Flickr D4, D7000, G10, 1030SW and a bunch of other stuff.... Last edited by sk66; 07-08-2010 at 03:13 AM. |
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Steve My Blog My Portfolio My Flickr D4, D7000, G10, 1030SW and a bunch of other stuff.... |
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Now I'm hoping it benefits someone who is not a "senior member" w/ a decent understanding already.......
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Steve My Blog My Portfolio My Flickr D4, D7000, G10, 1030SW and a bunch of other stuff.... |
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Once you get a hold of this basic relationship, then it becomes a question of understandings which setting to favor: Again, fairly basic...and almost every exposure is a compromise..
Shutter speed to isolate/emphasize motion (more/less) Aperture to isolate/expand area of interest (more/less) ISO to enable either of the first two....and balance noise...
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Steve My Blog My Portfolio My Flickr D4, D7000, G10, 1030SW and a bunch of other stuff.... |
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How does white balance and exposure compensation wriggle into this analogy. Challenge.... commence! |
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