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Hi, i found a picture of a women in the hairdresser, now the background (mirror image) was sharp and the foreground (lady sitting in the chair) was blurred. Any help on how they achieved the shot? Thanks
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Easy they focused on the mirror and used a wide apature probably F2.8 the depth of field generally extends 1/3 in front of the focus point and 2/3's behind explaining why the woman in front of the mirror was out of focus.
Do you have a link to the image?
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My Gear Photostream Murtasma.com Michigan Photographers - DPS Social Group Mur-Tas-Ma |
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Murtasma's got your answer - try it in your bathroom. You'll notice, however, that you're not focusing on the plane the mirror is on. You're focusing through the mirror to the model. So if you're using distance, it's your distance to the mirror plus the mirror's distance to the model that you're focusing on.
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Zooomr|Flickr|Big Stock Photo|dreamstime All work is licensed under a Creative Commons Attribution-Noncommercial 3.0 United States License unless otherwise noted. (meaning you can edit and repost my images unless I specifically ask you not to) All post-processing done with The Gimp |
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Because mirrors are just like windows, only that what you see through is a virtual copy of the world on your side of the window.
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Olivier H - My stream on flickr ![]() OK to edit/repost my pictures on DPS forums. A Nikon D70s, a few lenses, add flashguns to your taste. Stir well. Serve warm. |
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Jorge Luis Borges would drool over this conversation.
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Canon A70 | Canon EOS 400D - EF-S 18-55mm f/3.5-5.6 • EF 28-70mm f/3.5-4.5 My flickr |
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a good test for that dave would be to take a photograph of a close subject then on a subject farther back in the mirror. FOr example stand in front of a mirror at about 2 feet and make sure you can see an object about 10 feet behind you. See is it changes when you focus on each. you got me thinking now about mirrors and photographing the reflections?! there is no DOF in a mirror physically....so it seems like everything in it would be the same distance from the camera?
Im off to shoot some mirrors!
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D7000, D200, 18-105mm, 35mm 1.8, 85mm 1.8, 50mm 1.8G, 18-200mm, 10-20mm, 105mm 2.8, sb900, Panasonic GF2 Samsung NX100 and lenses and a ton more crap! RoundboyzPhotography on Flickr RoundboyzPhotographyBlog My Twitter |
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Even though all the light paths come from the same plane of the mirror, they originate from different distances from that same plane. The mirror is not per se like a TV screen, in which there is no appliable depth of field, but a light ray perfect deflector.
If a light path has come a long way from behind you, in what you see the mirror it comes from a long way from before you + the mirror->eye distance. It is called virtual image, because the image you see is not formed on the surface of the mirror, it is just that the light wavefront is bounced and come back to your eye as if it was in front of you. Like I said, it's like having a window to look through. Depth of field exists through the mirror (THROUGH it and not IN it) as well as it exists through the window pane.
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Olivier H - My stream on flickr ![]() OK to edit/repost my pictures on DPS forums. A Nikon D70s, a few lenses, add flashguns to your taste. Stir well. Serve warm. Last edited by Olivier H; 02-26-2008 at 11:43 AM. |
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Quote:
As for TasDevil's question, the way I usually achieve this shot is by opening up my aperture as wide as possible as well as zooming in as much as I can while keeping my framing right. The aperture minimizes your DOF, while the longer focal length magnifies the effect of the shallow DOF. |
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I have been playing with this a little myself. Seems that I get better results when I place an item right in front of the mirror. I then get my focus and switch to manual focus. Set everything up and shoot. Don't know why it makes a difference but made some nice changes. Will try to find a few and post this evening.
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OK to edit my photos for forum use only. Canon 40D / Canon 5D EF 24-70mm f/2.8 L USM EF 28-135mm f/3.5-5.6 IS USM EF 75-300mm f/4-5.6 III USM / EF 50mm f/1.8 II |
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