|
||||
|
Quote:
__________________
url:www.jimbryantphotography.com http://pa.photoshelter.com/c/jimbryant http://jimbryantphotography.blogspot.com/ (3) EOS1D MKIIs', (1) EOS1Ds MKII, 14mmf2.8, 16-35mmf2.8, 28-70mmf2.8, 70-200mm f2.8, 300mm f2.8 and a 400mmf2.8. |
|
||||
|
I think I hear what your saying and to put a point on it, you do not sound like someone who has "Found" what he or she "Wants" to do yet. Sounds like you want to go for firefighting work but that takes time and luck of the draw to get in. Not a bad gig if you can get in, but, yeah, hard to get in. Have you thought of joining the service and getting some experience there? A recruiter can show you what areas you can apply for and what is available. Get a couple of years in, then, with that experience and all, you should jump higher on the selection list, than someone without. When I got out, I had the GI bill to help put me through college and all. Unfortunately, my area of expertise in the service was not conducive to civilian work, but I did mature a lot and once out, focused.
If that is not the route you want to go, try community college for a couple of years focusing on Firefighting courses, get your AA. You can always take some photography courses while your at it. Try to intern with a studio in your area, get some experience that way. If you decide to "Go for it", it is going to take you at least a couple of years to get the photography income to the point where you can "make a living". Goof luck JM
__________________
Capturing Moments In Time D700, Nikonos, Hasselblads |
|
||||
|
the answer if quite simple. Once you have the knowledge down ( we all assume you'd have that) then self employment comes down to proper servicing of your clients. You need to develop a business plan that your customers feel that can not be easily had elsewhere.
I guess in the photo bus it would be. Creativity, pricing and rapport with people involved as well as professionalism. I don't know about a photography business but I own a handy man service and I can say even though I am not cheap my regular clients don't even consider going elsewhere. As for making a living in photography, I think as in the music business I have heard many BAD musicians that are very successful and many great musicians that do other things to make a living. I have also see some what I consider to be very uninspiring images from very well known photographers that make tons of money taking pictures. I did a shot of a friend that was blown out and overexposed, the sun was behind her and I tried to fill her face with flash and opened the lens for shallow depth of field. The entire upper background was nothing but white and there was little detail in the lower part. I was able to adjust the exposure PP and bring back some color and detail to her face. Technically, the shot was trash but it did have a "look" to it. My friend LOVED it and I am sure she would have paid for it by her response to it. So, we live in a free market especially when it come to art. I don't think anyone can tell anyone they don't have what it takes to make money being a photographer If you can find a client that is willing to pay you then your in business.
__________________
Canon EOS XSI 18-55 kit lens 55-250 Canon lens http://picasaweb.google.com/home http://www.wix.com/sdphil/PHIL-PERIN-PHOTOGRAPHY Last edited by sdphil; 04-26-2009 at 10:06 PM. |
|
||||
|
Quote:
|
|
|||
|
If it's not worth it to you unless they buy prints, you should think about a different pricing model. Either charge a session fee that makes it worth your time even if they don't buy prints, or charge enough for a disc of images that makes it worth it to you. They're going to want either the disc or the prints (or there's no point in hiring you), so just price it in so that it doesn't matter if they buy prints.
|
|
||||
|
Quote:
Sounds like you got your head screwed on straight. You are heading in the right direction as far as I can see. When you talk with the recruiter, be very upfront on what you want and were you want to go with respect to your future. The Coast Guard is a great service, in fact, a long time ago one of their river boats saved my squad from a very sticky situation. I served in the Marines. Good luck to you....stay focused. Semper Fi
__________________
Capturing Moments In Time D700, Nikonos, Hasselblads |
|
|||
|
The military also has photography jobs, and they pay you throughout training. Free photography training and a guaranteed job afterward! You may have to have higher test scores for this; I'm not sure. But it's definitely something to look into if you're already thinking about joining the service.
(I am assuming you're in the U.S., though other country's militaries probably have photographers also) |
|
||||
|
I was in the Journalist rating, not a Photographer in the Navy for 10 years, but I shot my own pictures to go along with my stories because there wasn't too many photographers who had the same passion for photojournalism that I did. They were happy shooting grips & grins, inspections, and official portraits. Most of my work, since photojournalism is 24 hours a day seven days a week was outside the 8-5 grind. The PH weren't thrilled about taking pictures outside their normal eight hour a day job. They would take a technically perfect picture, but weren't all too creative. So, I never had any use of them.
I believe the only true photographer job left in the service is in the Air Force, whereas most of the other, Coast Guard, Army and Navy have all combined career fields. The Navy and Coast Guard combined, the Journalist, Draftsman, Lithographer, and Photographer's Mate ratings into one job, they give you just enough training to become dangerous and you learn by on-the job training, getting switched from one type of job to another every six months. I believe the same is done in the Army, but not. The Coast Guard, Navy and Army students go to DINFOS, which is situated at Ft. Mead, MD. I believe the Air Force has their own school.
__________________
url:www.jimbryantphotography.com http://pa.photoshelter.com/c/jimbryant http://jimbryantphotography.blogspot.com/ (3) EOS1D MKIIs', (1) EOS1Ds MKII, 14mmf2.8, 16-35mmf2.8, 28-70mmf2.8, 70-200mm f2.8, 300mm f2.8 and a 400mmf2.8. |
![]() |
| Bookmarks |
| Thread Tools | |
| Display Modes | |
|
|
Each day we send out a quick email to thousands of DPS readers to notify them of updates. This email is just short excerpt of the first few lines of our latest post with a link if you want to read it all. You can unsubscribe from this this service at any time.
This service is provided by a third party (Feedburner) and you can subscribe to it by leaving your email address in the following field and confirming your subscription when you get an email asking you to do so.
Enter your email address for
Daily Updates:
For those wanting a weekly summary of what happens on this site this free email newsletter is probably your best option. It includes a summary of the tips posted to the site each week. This newsletter is subscribed to by over 25000 readers (many who also subscribe to the other options above) - come join the community!
To subscribe to this weekly newsletter simply add your email address to the following field and then follow the confirmation prompts. You will be able to unsubscribe at any time.
Enter your email address for
Free Weekly Newsletter: