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if we would not pay the $100 he is just being a cheap skate - he was making excuses.
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Pat 5D, 5DMKII | lenses 24-70 2.8L, 50 1.2, 35 2.0 70-200 2.8 II, 15mm - MY WEBSITE Fan me on Facebook! You don't have to be the best, you just have to be better than last week" - Jerry Ghionis |
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Maybe change your wording and just have it as digital images not high resolution images. Charge less for that, maybe $200 for something that would only allow for a 5"x7" at 150 dpi. Then you can charge more for the one that would allow high resolution. Just a thought.
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Nikon D700, D300, D5000, NIKON GLASS 85mm F/1.8 D, 105mm f/2.8 Micro AF-S VR, 70-200 AF-S VR f/2.8, 28-300 AF-S VRII,10.5mm Fisheye, 24-70 AF-S f/2.8, TC-20E II AF-S, Sigma 12-24 HSM, Sigma 30mm f/1.4 HSM, 2 SB-600 Speedlights, Manfrotto 190MF3 tripod & 322RC2 ball grip head. - NJ, USA Flickr Photobucket Ok to edit and repost my shots on DPS forums |
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Last edited by valleygirl; 10-08-2008 at 03:17 AM. |
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The other option is to offer the CD in varying package sizes, e.g., 10 high res photos for $100, 25 for $250, etc....or just charge a flat $10 or $20 fee for each high res negative and let the client choose from proofs (low resolution, non- or minimally processed photos) which of the 50 or so they want to buy, then spend time doing post-processing on only those the client wants and is willing to pay for. And require a deposit of some percentage (25 or 50%) before you start doing the post-processing and CD burning, just in case the client ends up being a dead-beat flake...
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What do you mean by $100 an image? Do you mean framed print, just a print or the digital file? Last edited by valleygirl; 10-08-2008 at 11:12 AM. |
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Not paying $500 dollars for your time doesn't make them cheapskates, it makes them unable to afford your services. Photography is a luxury item, plain and symbol. Either people will pay it, or they won't. As a professional, the only decision you have to make is whether your pricing is going to cost you more customers than the money in prints is going to make you. Hopefully you keep good records so you know exactly how much money you make comes from prints.
Personally, I'd much, much, much rather pay a set fee for time, and not pay for the CD. The few times I've had to pay for the digital image set my teeth on edge, because they were situations where I was without other options: IE Vacation spots, cruises, etc. Prints have almost no value to me, digital images do. I'm not a professional, but as a consumer, I know that I'd personally prefer you figure out how much you need to make from each customer and make pricing options accordingly. IE If you need to make $500 for each customer to stay open, and you do two hour sessions, and for each of those two hour sessions you actually do four hours of post processing, as a consumer, I'd prefer the option of just paying you for 6 hours of work and you give me all the results, good or bad. For me, the product I want to buy is your talent behind the camera, and all the images that produces. For me personally, I'm not buying 4x6 or 8x10s, I'm buying your skill in lighting and artistic vision, and it sticks in my craw to pay a premium for the format the end result comes in.
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But Mom, Pentax IS rebellious Pentax K-7, K20D Pentax SMCP-FA 35mm f/2.0 AL -- Pentax SMC 50mm f/1.7 -- Pentax DA 50-200mm f/4-5.6 ED -- Sigma 28-70mm f/2.8 EX DG IF Aspherical -- Pentax DA 18-55mm f/3.5-5.6 WR |
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Before I had a DSLR a friend asked if her husband could come and take some shots of my toddler to use in his portfolio. I was offered a free print as a thank you, but I asked for a CD of images, which he didn't offer as a service. He did me one, and charged me £65. At the time, I thought that was expensive.
Now I have a DSLR and know more about post-processing, I realise what an absolute bargain I got. I think one of the problems is that non-photographers have NO idea about the work that goes into it. And on top of that there's the value that needs to be put on the skill of the photographer. Anyone can go out and buy a DSLR and set themselves up as a pro, but that doesn't mean they can all produce images of a good standard artistically. I agree that a well-known photographer can more easily charge a higher amount, but I also think that even a less well known one can charge as high a price if their work is of the same standard - although the less well known one may find it harder to get as many bookings. I would say that the service you offer and the quality of your work is worth the money. I can easily see your website and decide that. BUT, I could never afford to pay that. I'm guessing that this chap has seen and liked your work and not only has no idea that the cost is justified, but that he probably can't afford it anyway. My guess is that you'll get a few chancers like that for a while, but that in a few years you'll be better known and will get people who CAN afford the fab work you do. |
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And I agree with you 100%. I think that these people (and maybe most who only dabble in point and shoot), probably thinks the photos come straight out of the camera looking that way and that all I'm doing is taking the pictures and unloading them onto a CD. They have no idea how much post-processing goes into each image. I think $500 for 50 images is a steal when you consider how much work goes into it. Thanks for the advice and comments. |
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