Quote:
Originally Posted by baldmountain
Everything from my Nikon P&S was coming back rejected for composition. I saw that new pictures were being accepted that were very compositionally similar to what I was submitting. I then decided, (perhaps wrongly), that the images were probably compositionally OK, but that I was getting a generic rejection due to the quality of the images from my camera. Especially since I got the last rejection almost as soon as the image was finished uploading.
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I think it probably is a mistake to assume the reason your images were rejected was due to technical aspects of the image and not the reason stated by the stock agency. For starters, the stock agencies have a vested interest in telling you why images were rejected. It helps you understand what they're looking for, so you can submit more of the quality of image that will make them money. If they didn't benefit from this advice they wouldn't bother giving you feedback, they'd simply reject your photos. Also, the stock sites I have experience with have the ability to reject based on technical merits as well and will usually list multiple reasons for a rejection if they exist. Obviously, not all the reviewers have the same work ethic, but if it were me, I would take the feedback offered and work on composition. Just because a stock site already has images with a similar composition doesn't mean that they will automatically accept your shots, even if they are good. They may feel that they already have enough shots with similar composition, or they may see the differences in composition as being the difference between a shot that sells and a shot that doesn't. Or it may be that none of the shots with similar composition are selling, so they don't need more inventory of shots that don't sell. Ultimately, that's what stock photography is about. You can have technically flawless and creatively brilliant photos, but if the stock sites don't think they'll make any money selling them to advertisers and other stock buyers, they won't accept them.